Overview

Full Product Details

9780805071788

Table of Contents

Reviews

"""The kind of even-shaping journalism pioneered by Pulitzer is on display in Written into History, a collection of Pulitzer Prize reporting from the New York Times. Editor Anthony Lewis chronicles changes in the attitude of the press toward the presidency and government, as reflected in the kind of reporting that won the prize over the years and the trend toward recognizing more analytical writing. He also provides background on the history of the Pulitzer Prize and the arduous decision-making process. The selected award-winning articles (the Times has won more Pulitzers than any other American newspaper) are sorted into the following categories: investigative reporting; dangerous stories that put reporters at risk; international news; public advocacy; criticism of the arts; science reporting; and biographical and human-interest stories. Among the topics are Russian slave-labor camps during the 1950s, the Pentagon Papers, the Vietnam War, and exploitation of illegal aliens in the U.S."" --Vanessa Bush, Booklist ""Lewis (Gideon's Trumpet), a writer with the New York Times for nearly five decades and himself a two-time Pulitzer winner succeeds in presenting some of the world's best recent journalism . . . There are plenty of both prominent and almost-forgotten stories: 'Red' Smith on the near-bankruptcy of New York City in the 1970s, Max Frankel on Nixon's 1972 visit to China, Linda Greenhouse on failed Supreme Court nominee Robert Bork. Lewis's fine introductory essay describes the post-Vietnam transformation of American journalism. The war and Watergate, he contends, made the press more skeptical of those in power and more confrontational in tone. Pulitzer Prizes increasingly went to fearless reporters like David Halberstam, whose tragically prescient analysis, in 1963, of the worsening situation in Vietnam constitutes one of the highlights of this book . . . Another highlight is Lewis's own analysis of the Warren court, which moved aggressively to 'federalize' legal protections in the areas of civil rights and criminal due process. It's a paragon of accessible legal writing. Perhaps the best, and certainly the most important, piece in the collection is Mirta Ojito's unforgettable recent story of two Cuban immigrants, one black and one white and how race comes to define and divide the two friends once they move to Miami. The piece is everything great journalism should be: empathetic, unmistakably relevant and a challenge to our basic ideals. For anyone interested in recent history or journalism at its best, this book will prove worthwhile."" --Publishers Weekly ""Newspaper reporting and writing at its best . . . Many of the stories have the ring of history, but they were written as the events were still churning at the writers' elbow . . . Their words, written pretty much on the spot, have held up well over the years."" --Syracuse Post-Standard ""All Pulitzer, all the time: Dozens of classy-by turns subversive, condemning, and exploratory-pieces of journalism from the New York Times . . . A stellar collection."" --Kirkus Reviews (starred review)"

The kind of even-shaping journalism pioneered by Pulitzer is on display in Written into History, a collection of Pulitzer Prize reporting from the New York Times. Editor Anthony Lewis chronicles changes in the attitude of the press toward the presidency and government, as reflected in the kind of reporting that won the prize over the years and the trend toward recognizing more analytical writing. He also provides background on the history of the Pulitzer Prize and the arduous decision-making process. The selected award-winning articles (the Times has won more Pulitzers than any other American newspaper) are sorted into the following categories: investigative reporting; dangerous stories that put reporters at risk; international news; public advocacy; criticism of the arts; science reporting; and biographical and human-interest stories. Among the topics are Russian slave-labor camps during the 1950s, the Pentagon Papers, the Vietnam War, and exploitation of illegal aliens in the U.S. --Vanessa Bush, Booklist Lewis (Gideon's Trumpet), a writer with the New York Times for nearly five decades and himself a two-time Pulitzer winner succeeds in presenting some of the world's best recent journalism . . . There are plenty of both prominent and almost-forgotten stories: 'Red' Smith on the near-bankruptcy of New York City in the 1970s, Max Frankel on Nixon's 1972 visit to China, Linda Greenhouse on failed Supreme Court nominee Robert Bork. Lewis's fine introductory essay describes the post-Vietnam transformation of American journalism. The war and Watergate, he contends, made the press more skeptical of those in power and more confrontational in tone. Pulitzer Prizes increasingly went to fearless reporters like David Halberstam, whose tragically prescient analysis, in 1963, of the worsening situation in Vietnam constitutes one of the highlights of this book . . . Another highlight is Lewis's own analysis of the Warren court, which moved aggressively to 'federalize' legal protections in the areas of civil rights and criminal due process. It's a paragon of accessible legal writing. Perhaps the best, and certainly the most important, piece in the collection is Mirta Ojito's unforgettable recent story of two Cuban immigrants, one black and one white and how race comes to define and divide the two friends once they move to Miami. The piece is everything great journalism should be: empathetic, unmistakably relevant and a challenge to our basic ideals. For anyone interested in recent history or journalism at its best, this book will prove worthwhile. --Publishers Weekly Newspaper reporting and writing at its best . . . Many of the stories have the ring of history, but they were written as the events were still churning at the writers' elbow . . . Their words, written pretty much on the spot, have held up well over the years. --Syracuse Post-Standard All Pulitzer, all the time: Dozens of classy-by turns subversive, condemning, and exploratory-pieces of journalism from the New York Times . . . A stellar collection. --Kirkus Reviews (starred review)

The kind of even-shaping journalism pioneered by Pulitzer is on display in Written into History, a collection of Pulitzer Prize reporting from the New York Times. Editor Anthony Lewis chronicles changes in the attitude of the press toward the presidency and government, as reflected in the kind of reporting that won the prize over the years and the trend toward recognizing more analytical writing. He also provides background on the history of the Pulitzer Prize and the arduous decision-making process. The selected award-winning articles (the Times has won more Pulitzers than any other American newspaper) are sorted into the following categories: investigative reporting; dangerous stories that put reporters at risk; international news; public advocacy; criticism of the arts; science reporting; and biographical and human-interest stories. Among the topics are Russian slave-labor camps during the 1950s, the Pentagon Papers, the Vietnam War, and exploitation of illegal aliens in the U.S. --Vanessa Bush, Booklist Lewis ( Gideon's Trumpet ), a writer with the New York Times for nearly five decades and himself a two-time Pulitzer winner succeeds in presenting some of the world's best recent journalism . . . There are plenty of both prominent and almost-forgotten stories: 'Red' Smith on the near-bankruptcy of New York City in the 1970s, Max Frankel on Nixon's 1972 visit to China, Linda Greenhouse on failed Supreme Court nominee Robert Bork. Lewis's fine introductory essay describes the post-Vietnam transformation of American journalism. The war and Watergate, he contends, made the press more skeptical of those in power and more confrontational in tone. Pulitzer Prizes increasingly went to fearless reporters like David Halberstam, whose tragically prescient analysis, in 1963, of the worsening situation in Vietnam constitutes one of the highlights of this book . . . Another highlight is Lewis's own analysis of the Warren court, which moved aggressively to '

The kind of even-shaping journalism pioneered by Pulitzer is on display in Written into History, a collection of Pulitzer Prize reporting from the New York Times, Editor Anthony Lewis chronicles changes in the attitude of the press toward the presidency and government, as reflected in the kind of reporting that won the prize over the years and the trend toward recognizing more analytical writing. He also provides background on the history of the Pulitzer Prize and the arduous decision-making process. The selected award-winning articles (the Times has won more Pulitzers than any other American newspaper) are sorted into the following categories: investigative reporting; dangerous stories that put reporters at risk; international news; public advocacy; criticism of the arts; science reporting; and biographical and human-interest stories. Among the topics are Russian slave-labor camps during the 1950s, the Pentagon Papers, the Vietnam War, and exploitation of illegal aliens in the U.S. --Vanessa Bush, Booklist <br> Lewis ( Gideon's Trumpet ), a writer with the New York Times for nearly five decades and himself a two-time Pulitzer winner succeeds in presenting some of the world's best recent journalism . . . There are plenty of both prominent and almost-forgotten stories: 'Red' Smith on the near-bankruptcy of New York City in the 1970s, Max Frankel on Nixon's 1972 visit to China, Linda Greenhouse on failed Supreme Court nominee Robert Bork. Lewis's fine introductory essay describes the post-Vietnam transformation of American journalism. The war and Watergate, he contends, made the press more skeptical of those in power and more confrontational in tone. Pulitzer Prizesincreasingly went to fearless reporters like David Halberstam, whose tragically prescient analysis, in 1963, of the worsening situation in Vietnam constitutes one of the highlights of this book . . . Another highlight is Lewis's own analysis of the Warren court, which moved aggressively to 'federalize' legal protections in the areas of civil rights and criminal due process. It's a paragon of accessible legal writing. Perhaps the best, and certainly the most important, piece in the collection is Mirta Ojito's unforgettable recent story of two Cuban immigrants, one black and one white and how race comes to define and divide the two friends once they move to Miami. The piece is everything great journalism should be: empathetic, unmistakably relevant and a challenge to our basic ideals. For anyone interested in recent history or journalism at its best, this book will prove worthwhile. -- Publishers Weekly <br> Newspaper reporting and writing at its best . . . Many of the stories have the ring of history, but they were written as the events were still churning at the writers' elbow . . . Their words, written pretty much on the spot, have held up well over the years. -- Syracuse Post-Standard <br> All Pulitzer, all the time: Dozens of classy-by turns subversive, condemning, and exploratory-pieces of journalism from the New York Times . . . A stellar collection. -- Kirkus Reviews (starred review)<br>

Author Information

Two-time Pulitzer-Prize-winning journalist Anthony Lewis is the author of Make No Law and the bestseller Gideon's Trumpet. In his nearly five decades of writing and reporting for The New York Times he served as the Times's London bureau chief for eight years and as a columnist for the paper from 1969 until 2001. A Visiting Lombard Lecturer at Harvard University's Kennedy School of Government, he lives in Boston, Massachusetts.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available