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OverviewFull Product DetailsAuthor: Martin Munro (Florida State University (United States))Publisher: Liverpool University Press Imprint: Liverpool University Press Volume: 35 Dimensions: Width: 16.30cm , Height: 2.00cm , Length: 23.90cm Weight: 0.522kg ISBN: 9781781381465ISBN 10: 1781381461 Pages: 288 Publication Date: 31 December 2014 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction: Reading the Ruins 1. Going Public: The Post-earthquake Essay 2. Broken Bodies: Makenzy Orcel, Marvin Victor, and the New Haitian Novel 3. Broken Lands: Gary Victor, Kettly Mars, and Post-earthquake Fiction 4. Not Writing Disaster: The Earthquake as Non-event in the Haitian Novel 2010-2014 5. Writing the “Haitian Soul”: Post-earthquake Poetry Conclusion: New Lands Bibliography IndexReviewsIn the wake of Haiti's tragic 2010 earthquake, Dany Laferriere called for an imaginative rethinking of a new Haiti reborn from the disaster. In his thorough and perceptive survey of Haitian post-earthquake literature, Martin Munro examines the literary legacy of catastrophe. More than literary therapy, this new phase of Haitian writing emphasizes reconstruction as a subjective, human endeavor and engages with a changed view of Haitian space, collective values, tolerance and hospitality which are the key to Haiti's recovery from this disaster. Writing on the Fault line is as timely as it is welcome. Writing on the Fault Line is a tour de force; the definitive statement on the effects of a devastating earthquake on Haiti's literary production. Over many years, Martin Munro's work has been mapping the cultural imprint of Haitian history. Along with several other groundbreaking critics, whose thinking he draws upon,he has made Haiti more approachable (especially for the Anglophone world). In the wake of Haiti's tragic 2010 earthquake, Dany Laferriere called for an imaginative rethinking of a new Haiti reborn from the disaster. In his thorough and perceptive survey of Haitian post-earthquake literature, Martin Munro examines the literary legacy of catastrophe. More than literary therapy, this new phase of Haitian writing emphasizes reconstruction as a subjective, human endeavor and engages with a changed view of Haitian space, collective values, tolerance and hospitality which are the key to Haiti's recovery from this disaster. Writing on the Fault line is as timely as it is welcome. -- Professor J. Michael Dash Writing on the Fault Line is a tour de force; the definitive statement on the effects of a devastating earthquake on Haiti's literary production. -- Dr Rachel Douglas Author InformationMartin Munro is Winthrop-King Professor of French and Francophone Studies at Florida State University, and the author of Different Drummers: Rhythm and Race in the Americas (University of California Press, 2010); Exile and Post-1946 Haitian Literature: Alexis, Depestre, Ollivier, Laferrière, Danticat (Liverpool University Press, 2007); and editor of Haiti Rising: Haitian History, Culture and the Earthquake of 2010 (Liverpool University Press, 2010). Tab Content 6Author Website:Countries AvailableAll regions |