Writing on Drugs

Author:   Sadie Plant
Publisher:   Faber & Faber
Edition:   Main
ISBN:  

9780571203383


Pages:   288
Publication Date:   09 July 2001
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Writing on Drugs


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Full Product Details

Author:   Sadie Plant
Publisher:   Faber & Faber
Imprint:   Faber & Faber
Edition:   Main
Dimensions:   Width: 12.60cm , Height: 2.10cm , Length: 19.80cm
Weight:   0.312kg
ISBN:  

9780571203383


ISBN 10:   0571203388
Pages:   288
Publication Date:   09 July 2001
Audience:   College/higher education ,  Professional and scholarly ,  General/trade ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Reviews

'A fascinating cultural quest to discover how such blanket - and in the end blind - moral prohibition has come to the fore in our relationship to narcotics... she balances accessibility with intellectual rigour... she weaves writers' experiences of amazing highs with the cold, hard science of how chemicals would have interacted with their synapses to get them tripping.' Tim Teeman, The Times 'It is something of a relief to turn to the poised clarity with which Plant anatomises our species' varied relationships with stuff that makes your head go funny.' Charles Shaar Murray, Independent 'A comprehensive account of how drugs have come to shape the modern world.' The Face


Author Information

Sadie Plant was born in Birmingham and studied at the University of Manchester, where she gained her PhD in Philosophy in 1989. She has been a Lecturer in Cultural Studies at the University of Birmingham and a Research Fellow in the Department of Philosophy at the University of Warwick. She published The Most Radical Gesture: The Situationist International in a Postmodern Age in 1992, and Zeros and Ones: Digital Women and the New Technoculture in 1997. Having spent much of the 1990s in the academic world, she now works independently and writes full-time.

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