Overview

Increased public and academic interest in drawing and sketching, both traditional and digital, has allowed drawing research to emerge recently as a discipline in its own right. In light of this development, Writing on Drawing presents a collection of essays that reveal a provocative agenda for the field, analyzing the latest work on creativity, education, and thinking from a variety of perspectives. Bringing together contributions by leading artists and researchers, this volume offers consolidation, discussion, and guidance for a previously fragmented discipline. Available for the first time in paperback, it will be an essential resource for artists, scientists, designers, and engineers.

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9781841502007

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Reviews

The past decade has seen a change of attitude towards drawing. Its importance as an element in human intelligence is now widely appreciated. However, there has not been a clear picture of research in the field or an agenda for future investigation. Writing on Drawing fills this gap. It gives an insight into current work and it is clear that a paradigm shift is underway. Drawing is, of course, strongly identified with art and design but it is now being seen in a much broader context. The contributions to this book give a new insight into this fascinating activity. -Prof Ken Baynes, Loughborough University This book captures the range of current debates, each contributor addresses themes that are significant to the development of drawing both as a practice and as a critical discourse. The book helps to outline an intellectual frame of reference for drawing practices, and allows an interdisciplinary conversation around the role of these activities in the wider world. This is an impressive achievement, as an academic who wishes to explore drawing as a cognitive process and as an artist working in the mass mediated world where the language of drawing has found a vital role, this book will be invaluable for me and to my students. - Prof Mario Minichiello, Birmingham City University Writing on Drawing is an excellent resource, in which a balance is achieved between academic, educational and entertaining pieces. While the book is intellectually stimulating, it is never dry and successfully brings together critical thinking, debate and research to form a thought provoking insight into the intelligence of seeing . - Alice Hunter, www.artjournal.co.uk

"""The past decade has seen a change of attitude towards drawing. Its importance as an element in human intelligence is now widely appreciated. However, there has not been a clear picture of research in the field or an agenda for future investigation. Writing on Drawing fills this gap. It gives an insight into current work and it is clear that a paradigm shift is underway. Drawing is, of course, strongly identified with art and design but it is now being seen in a much broader context. The contributions to this book give a new insight into this fascinating activity.""-Prof Ken Baynes, Loughborough University ""This book captures the range of current debates, each contributor addresses themes that are significant to the development of drawing both as a practice and as a critical discourse. The book helps to outline an intellectual frame of reference for drawing practices, and allows an interdisciplinary conversation around the role of these activities in the wider world. This is an impressive achievement, as an academic who wishes to explore drawing as a cognitive process and as an artist working in the mass mediated world where the language of drawing has found a vital role, this book will be invaluable for me and to my students."" - Prof Mario Minichiello, Birmingham City University ""Writing on Drawing is an excellent resource, in which a balance is achieved between academic, educational and entertaining pieces. While the book is intellectually stimulating, it is never dry and successfully brings together critical thinking, debate and research to form a thought provoking insight into the ""intelligence of seeing"". - Alice Hunter, www.artjournal.co.uk"

Author Information

Steve Garner is Senior Lecturer in the Department of Design and Innovation at the Open University. Research interests include the use of representations in design (particularly sketching), usability in product design, and computer supported collaborative designing. He is Director of the International Drawing Research Network.

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