Writing Back to Modern Art: After Greenberg, Fried and Clark
Author:   Jonathan Harris
Publisher:   Taylor & Francis Ltd
ISBN:  

9780415324298


Pages:   284
Publication Date:   29 June 2005
Format:   Paperback
Availability:   In Print   Availability explained
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Writing Back to Modern Art: After Greenberg, Fried and Clark


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Full Product Details

Author:   Jonathan Harris
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Dimensions:   Width: 15.60cm , Height: 1.40cm , Length: 23.40cm
Weight:   0.498kg
ISBN:  

9780415324298


ISBN 10:   0415324297
Pages:   284
Publication Date:   29 June 2005
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction; Looking and writing back; Composition and self-composition; Class, glass, and opacity; Modernism, the decay of collective style, and the past of art; . . . Not just interpreters, collaborators’? The subject object; ‘Narcissus looking interminably into the unclean mirror . . .’ 1 Modernism’s modern art 2 Pure formality: 1960s abstract painting 3 Pollock, or ‘abstraction’ 4 Cubism’s complexities 5 The materials of seeing: Cézanne and Van Gogh 6 Modernism’s Manet, Conclusion: ‘post’ script

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Author Information

Jonathan Harris teaches Art History in the School of Architecture at the University of Liverpool. He has published widely on art and art history, specializing in twentieth-century American art, the rise of the ‘new art history’, and the relations between art history and social theory. His recent publications include Critical Perspectives on Contemporary Painting: Hybridity, Hegemony, Historicism (2003) and The New Art History: A Critical Introduction (Routledge, 2001).

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