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OverviewFull Product DetailsAuthor: Scott KirkpatrickPublisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 15.20cm , Height: 1.50cm , Length: 22.90cm Weight: 0.370kg ISBN: 9781138016460ISBN 10: 1138016462 Pages: 192 Publication Date: 16 March 2015 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"DEDICATION ACKNOWLEDGEMENTS INTRODUCTION CHAPTER ONE – A Crazy Little Thing Called Hollywood Logic CHAPTER TWO – ""So, What’s it About?"" CHAPTER THREE – Writing Your Feature-Length Spec Script CHAPTER FOUR – How I Learned to Stop Worrying and Write for Television CHAPTER FIVE – Close Encounters of the L.A. KindCHAPTER SIX – To Live and Write in L.A. CHAPTER SEVEN – Hollywood: And Beyond the Infinite APPENDICES Appendix I: Script Coverage Appendix II: The Non-Union ‘Writer-for-Hire’ Agreement Appendix III: The Non-Union ‘Option/Purchase’ AgreementGLOSSARY ABOUT THE AUTHOR"ReviewsWriting for the Green Light provides an insightful look into what distributors and production companies are looking for in a project and the unspoken rules on which Hollywood operates. If you're trying to break into the entertainment industry and get your work noticed, this is the book for you. -Noor Ahmed, Producer Rep, Reder & Feig LLP I could list all the brilliant snippets of information and advice but if I started I just wouldn't know which bits to include and which to leave out - so buy the book and read it for yourself! You won't be disappointed - even if you aren't a scriptwriter (and I'm not) it's well worth having it just to better understand how the process works and, if you are a scriptwriter, it'll certainly help you to better understand what the industry needs and hopefully help you to move along with a little more confidence in your chosen career. - Wendy Laybourn, Network Nine What this book provides that no other screenwriting book does (nor my expensive NYU Film School education did) is a practical guide. There are good, useful tips for breaking in and starting a career as screenwriter. - John Ott, makingthemovie.info Writing for the Green Light provides an insightful look into what distributors and production companies are looking for in a project and the unspoken rules on which Hollywood operates. If you're trying to break into the entertainment industry and get your work noticed, this is the book for you. -Noor Ahmed, Producer Rep, Reder & Feig LLP I could list all the brilliant snippets of information and advice but if I started I just wouldn't know which bits to include and which to leave out - so buy the book and read it for yourself! You won't be disappointed - even if you aren't a scriptwriter (and I'm not) it's well worth having it just to better understand how the process works and, if you are a scriptwriter, it'll certainly help you to better understand what the industry needs and hopefully help you to move along with a little more confidence in your chosen career. - Wendy Laybourn, Network Nine Author InformationScott Kirkpatrick is the Director of Distribution for MarVista Entertainment, a Los Angeles based production and distribution company that produces original Lifetime and SyFy channel films, co-produces TV movies with Disney and Nickelodeon, and has managed international TV deals on major franchises including Mighty Morphin Power Rangers, Digimon, and Julius Jr. Scott has also produced and directed TV series and feature films including Eye for an Eye, Muslims in America, and Roadside Massacre. Tab Content 6Author Website:Countries AvailableAll regions |