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9781472411709

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'Eugenia Paulicelli presents a convincing argument for the crucial significance of clothing and fashion in the mentalities of early modern Europe; her book is richly informed by the research of economic, social, and feminist historians, historians of dress, and by her own alertness to the links between past and present in the ways that dress is presented today. Her narrative incorporates close readings of a wide and interesting array of early modern writings, and offers a wealth of intriguing examples - the fashionable rosary, the mustachioed gallant, the revolver-toting Frenchwoman-as well as possibilities for further work in the field.' Ann Rosalind Jones, Smith College, USA 'In the sixteenth and seventeenth centuries fashion came to characterise a 'modern' new world, one in which changes in shapes, materials, colours and manners had to be recognised and understood. Eugenia Paulicelli's book is a spectacular investigation of the discourse of fashion in early modern Italy, from Baldassarre Castiglione to Cesare Vecellio, to Arcangela Tarabotti. In this book you will find yourself immersed in an early modern society obsessed with civility, love, vice, dissimulation and, of course, fashion.' Giorgio Riello, University of Warwick, UK '... it's impossible to address the myriad of issues, attitudes and details that Paulicelli has expertly compiled in this text. Just put this book in your hands. In fact, I'm going to read it again ...' Worn Through 'Paulicelli has painted a vast canvas, revealing the elusiveness of fast-moving fashion and anxieties around its management or control in the century before Louis XIV laid the foundations of French fashion-leadership ... [this book] will be of particular use to students and teachers of literature who are interested in the interconnections between word and image, and between later theories of fashion and early modern representations of dress.' Costume 'The focus on 'writing' fashion allows the reader a fascinating insight into the ways in which dress shaped and was shaped by discourse which ranged much further than clothing the body.' Reviews in History 'We should be grateful to Eugenia Paulicelli for laying the groundwork for these exciting opportunities for further research and producing a book that will undoubtedly become a standard reference point in fashion history.' Renaissance Quarterly 'The book as a whole is aimed at a specialist, academic audience ... Its opening chapter provides an introduction to fashion in early modern Italy, helpfully integrating the English and Italian historiography on this topic. The book also serves to draw attention, in the context of English-language discussions of European fashion, to the importance of the as-yet-untranslated texts discussed in the last part of the book.' Parergon 'Published in Ashgate's Visual Culture in Early Modernity series, the volume is well produced with respectable illustrations.' CAA Reviews

'Eugenia Paulicelli presents a convincing argument for the crucial significance of clothing and fashion in the mentalities of early modern Europe; her book is richly informed by the research of economic, social, and feminist historians, historians of dress, and by her own alertness to the links between past and present in the ways that dress is presented today. Her narrative incorporates close readings of a wide and interesting array of early modern writings, and offers a wealth of intriguing examples - the fashionable rosary, the mustachioed gallant, the revolver-toting Frenchwoman-as well as possibilities for further work in the field.' Ann Rosalind Jones, Smith College, USA 'In the sixteenth and seventeenth centuries fashion came to characterise a 'modern' new world, one in which changes in shapes, materials, colours and manners had to be recognised and understood. Eugenia Paulicelli's book is a spectacular investigation of the discourse of fashion in early modern Italy, from Baldassarre Castiglione to Cesare Vecellio, to Arcangela Tarabotti. In this book you will find yourself immersed in an early modern society obsessed with civility, love, vice, dissimulation and, of course, fashion.' Giorgio Riello, University of Warwick, UK '... it's impossible to address the myriad of issues, attitudes and details that Paulicelli has expertly compiled in this text. Just put this book in your hands. In fact, I'm going to read it again ...' Worn Through 'Paulicelli has painted a vast canvas, revealing the elusiveness of fast-moving fashion and anxieties around its management or control in the century before Louis XIV laid the foundations of French fashion-leadership ... [this book] will be of particular use to students and teachers of literature who are interested in the interconnections between word and image, and between later theories of fashion and early modern representations of dress.' Costume 'The focus on 'writing' fashion allows the reader a fascinating insight into the ways in which dress shaped and was shaped by discourse which ranged much further than clothing the body.' Reviews in History 'We should be grateful to Eugenia Paulicelli for laying the groundwork for these exciting opportunities for further research and producing a book that will undoubtedly become a standard reference point in fashion history.' Renaissance Quarterly 'The book as a whole is aimed at a specialist, academic audience ... Its opening chapter provides an introduction to fashion in early modern Italy, helpfully integrating the English and Italian historiography on this topic. The book also serves to draw attention, in the context of English-language discussions of European fashion, to the importance of the as-yet-untranslated texts discussed in the last part of the book.' Parergon

'Eugenia Paulicelli presents a convincing argument for the crucial significance of clothing and fashion in the mentalities of early modern Europe; her book is richly informed by the research of economic, social, and feminist historians, historians of dress, and by her own alertness to the links between past and present in the ways that dress is presented today. Her narrative incorporates close readings of a wide and interesting array of early modern writings, and offers a wealth of intriguing examples - the fashionable rosary, the mustachioed gallant, the revolver-toting Frenchwoman-as well as possibilities for further work in the field.' Ann Rosalind Jones, Smith College, USA 'In the sixteenth and seventeenth centuries fashion came to characterise a 'modern' new world, one in which changes in shapes, materials, colours and manners had to be recognised and understood. Eugenia Paulicelli's book is a spectacular investigation of the discourse of fashion in early modern Italy, from Baldassarre Castiglione to Cesare Vecellio, to Arcangela Tarabotti. In this book you will find yourself immersed in an early modern society obsessed with civility, love, vice, dissimulation and, of course, fashion.' Giorgio Riello, University of Warwick, UK '... it's impossible to address the myriad of issues, attitudes and details that Paulicelli has expertly compiled in this text. Just put this book in your hands. In fact, I'm going to read it again ...' Worn Through 'Paulicelli has painted a vast canvas, revealing the elusiveness of fast-moving fashion and anxieties around its management or control in the century before Louis XIV laid the foundations of French fashion-leadership ... [this book] will be of particular use to students and teachers of literature who are interested in the interconnections between word and image, and between later theories of fashion and early modern representations of dress.' Costume 'The focus on 'writing' fashion allows the reader a fascinating insight into the ways in which dress shaped and was shaped by discourse which ranged much further than clothing the body.' Reviews in History 'We should be grateful to Eugenia Paulicelli for laying the groundwork for these exciting opportunities for further research and producing a book that will undoubtedly become a standard reference point in fashion history.' Renaissance Quarterly 'The book as a whole is aimed at a specialist, academic audience ... Its opening chapter provides an introduction to fashion in early modern Italy, helpfully integrating the English and Italian historiography on this topic. The book also serves to draw attention, in the context of English-language discussions of European fashion, to the importance of the as-yet-untranslated texts discussed in the last part of the book.' Parergon 'Published in Ashgate’s “Visual Culture in Early Modernity” series, the volume is well produced with respectable illustrations.' CAA Reviews

'Eugenia Paulicelli presents a convincing argument for the crucial significance of clothing and fashion in the mentalities of early modern Europe; her book is richly informed by the research of economic, social, and feminist historians, historians of dress, and by her own alertness to the links between past and present in the ways that dress is presented today. Her narrative incorporates close readings of a wide and interesting array of early modern writings, and offers a wealth of intriguing examples - the fashionable rosary, the mustachioed gallant, the revolver-toting Frenchwoman-as well as possibilities for further work in the field.' Ann Rosalind Jones, Smith College, USA 'In the sixteenth and seventeenth centuries fashion came to characterise a 'modern' new world, one in which changes in shapes, materials, colours and manners had to be recognised and understood. Eugenia Paulicelli's book is a spectacular investigation of the discourse of fashion in early modern Italy, from Baldassarre Castiglione to Cesare Vecellio, to Arcangela Tarabotti. In this book you will find yourself immersed in an early modern society obsessed with civility, love, vice, dissimulation and, of course, fashion.' Giorgio Riello, University of Warwick '... it's impossible to address the myriad of issues, attitudes and details that Paulicelli has expertly compiled in this text. Just put this book in your hands. In fact, I'm going to read it again ...' Worn Through

Author Information

Eugenia Paulicelli is Professor of Italian, Comparative Literature and Women’s Studies at Queens College and the Graduate Center of The City University of New York, USA. She directs two programs in Fashion Studies: a PhD concentration and an MA in Liberal Studies.

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