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OverviewFull Product DetailsAuthor: Alan RosenthalPublisher: Southern Illinois University Press Imprint: Southern Illinois University Press Edition: Revised Dimensions: Width: 15.60cm , Height: 2.90cm , Length: 23.50cm Weight: 0.785kg ISBN: 9780809320134ISBN 10: 0809320134 Pages: 320 Publication Date: 01 April 1996 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Temporarily unavailable The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of ContentsReviewsThis book should be called the 'Documentary Filmmaker's Guide to the Galaxy.' The moral, ethical, aesthetic, and communicative problems of documentary filmmaking are explored through knowledge and experi-ence in the field, studio, editing room, theater, and television. Every new or established documentary filmmaker should read it. --Donald E. Staples, Univer-sity of North Texas<br> This book should be called the 'Documentary Filmmaker's Guide to the Galaxy.' The moral, ethical, aesthetic, and communicative problems of documentary filmmaking are explored through knowledge and experi-ence in the field, studio, editing room, theater, and television. Every new or established documentary filmmaker should read it. --Donald E. Staples, Univer-sity of North Texas This book should be called the Documentary Filmmaker s Guide to the Galaxy. The moral, ethical, aesthetic, and communicative problems of documentary filmmaking are explored through knowledge and experience in the field, studio, editing room, theater, and television. Every new or established documentary filmmaker should read it. Donald E. Staples, University of North Texas I can hardly praise this book enough. Should every documentary student read it? Certainly. Should every documentary filmmaker, no matter how experienced they are, read it? Certainly. Austin Lamont, commenting on the first edition in Film Quarterly I can hardly praise this book enough. Should every documentary student read it? Certainly. Should every documentary filmmaker, no matter how experienced they are, read it? Certainly. --Austin Lamont, commenting on the first edition in Film Quarterly I can hardly praise this book enough. Should every documentary student read it? Certainly. Should every documentary filmmaker, no matter how experienced they are, read it? Certainly. -- Austin Lamont, commenting on the first edition in Film Quarterly Author InformationAlan Rosenthal was born in England, studied law at Oxford, and has made over sixty films for television. His books include New Challenges for Documentary, Why Docudrama? Fact-Fiction on Film and TV, andJerusalem: Take One! Memoirs of a Jewish Filmmaker. He received a Peabody Award for Journalism and the International Documentary Association's award for scholarship. Currently he divides his time among projects in Jerusalem, London, and New York. His most recent film is Adolf Eichmann: The Secret Memoirs. Tab Content 6Author Website:Countries AvailableAll regions |
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