Writing, Directing, and Producing Documentary Films and Videos, Revised Edition

Author:   Alan Rosenthal
Publisher:   Southern Illinois University Press
Edition:   Revised
ISBN:  

9780809320134


Pages:   320
Publication Date:   01 April 1996
Format:   Hardback
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

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Writing, Directing, and Producing Documentary Films and Videos, Revised Edition


Overview

Full Product Details

Author:   Alan Rosenthal
Publisher:   Southern Illinois University Press
Imprint:   Southern Illinois University Press
Edition:   Revised
Dimensions:   Width: 15.60cm , Height: 2.90cm , Length: 23.50cm
Weight:   0.785kg
ISBN:  

9780809320134


ISBN 10:   0809320134
Pages:   320
Publication Date:   01 April 1996
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

Table of Contents

Reviews

This book should be called the 'Documentary Filmmaker's Guide to the Galaxy.' The moral, ethical, aesthetic, and communicative problems of documentary filmmaking are explored through knowledge and experi-ence in the field, studio, editing room, theater, and television. Every new or established documentary filmmaker should read it. --Donald E. Staples, Univer-sity of North Texas<br>


This book should be called the 'Documentary Filmmaker's Guide to the Galaxy.' The moral, ethical, aesthetic, and communicative problems of documentary filmmaking are explored through knowledge and experi-ence in the field, studio, editing room, theater, and television. Every new or established documentary filmmaker should read it. --Donald E. Staples, Univer-sity of North Texas This book should be called the Documentary Filmmaker s Guide to the Galaxy. The moral, ethical, aesthetic, and communicative problems of documentary filmmaking are explored through knowledge and experience in the field, studio, editing room, theater, and television. Every new or established documentary filmmaker should read it. Donald E. Staples, University of North Texas I can hardly praise this book enough. Should every documentary student read it? Certainly. Should every documentary filmmaker, no matter how experienced they are, read it? Certainly. Austin Lamont, commenting on the first edition in Film Quarterly I can hardly praise this book enough. Should every documentary student read it? Certainly. Should every documentary filmmaker, no matter how experienced they are, read it? Certainly. --Austin Lamont, commenting on the first edition in Film Quarterly I can hardly praise this book enough. Should every documentary student read it? Certainly. Should every documentary filmmaker, no matter how experienced they are, read it? Certainly. -- Austin Lamont, commenting on the first edition in Film Quarterly


Author Information

Alan Rosenthal was born in England, studied law at Oxford, and has made over sixty films for television. His books include New Challenges for Documentary, Why Docudrama? Fact-Fiction on Film and TV, andJerusalem: Take One! Memoirs of a Jewish Filmmaker. He received a Peabody Award for Journalism and the International Documentary Association's award for scholarship. Currently he divides his time among projects in Jerusalem, London, and New York. His most recent film is Adolf Eichmann: The Secret Memoirs.

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