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OverviewWhat world has been constructed for dancing through the use of the term 'world dance'? What kinds of worlds do we as scholars create for a given dance when we undertake to describe and analyze it? This book endeavours to make new epistemological space for the analysis of the world's dance by offering a variety of new analytic approaches. Full Product DetailsAuthor: S. FosterPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Dimensions: Width: 14.00cm , Height: 1.20cm , Length: 21.60cm Weight: 0.405kg ISBN: 9780230205949ISBN 10: 0230205941 Pages: 209 Publication Date: 10 June 2009 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"Contents Acknowledgements Notes on Contributors Worlding Dance – An Introduction; S.L.Foster The Power of Classification; L.Hammergren Mobilizing (in) the Archive: Santee Smith's Kaha:wi ; J.S.Murphy A ""Material""-ist Reading of the Bharata Natyam Dancing Body: The Possibility of the ""Unruly Spectator""; P.Srinivasan Race-ing Choreographic Copyright; A.Kraut Choreographies and Choreographers; S.L.Foster Red-stained Feet: Probing the Ground On Which Women Dance in Contemporary Bengal; A.Chatterjea Artistic Utopias: Michio Ito and the Trope of the International; Y.Wong Worlding Dance and Dancing Out There in the World; M.E.Savigliano Works Cited Index"Reviews'The range of articles makes Foster's collection both methodologically and thematically an invaluable resource far beyond dance, and relevant for anyone in performance and theatre studies wrestling with the complexity of writing history from a global perspective.' - Sabine Sorgel, Aberystwyth University, UK, Theatre Research International 'The range of articles makes Foster's collection both methodologically and thematically an invaluable resource far beyond dance, and relevant for anyone in performance and theatre studies wrestling with the complexity of writing history from a global perspective.' - Sabine Sorgel, Aberystwyth University, UK, Theatre Research International With this book, Foster continues her leadership in dance scholarship... The variety of approaches and subject matters contained in this volume demonstrates the difficulty of defining dance in a global context. Taken together, the essays make a provocative contribution to the literature. -- CHOICE Author InformationANANYA CHATTERJEA Associate Professor and Director of Graduate Studies in the Department of Theatre Arts and Dance, University of Minnesota, USA, and Artistic Director of Ananya Dance Theatre LENA HAMMERGREN Assistant Professor in Dance Studies at the Department for Musicology and Performance Studies, Stockholm University, Sweden, and Visiting Professor at University College of Dance, Stockholm ANTHEA KRAUT Assistant Professor in the Dance Department at the University of California, Riverside, USA MARTA E. SAVIGLIANO Co-director of GLOSAS (Global South Advanced Studies), Buenos Aires, Argentina, Professor Emeritus of University of California Los Angeles' World Arts and Cultures Department, and Visiting Professor at University of California, Riverside's Dance Department JACQUELINE SHEA MURPHY Associate Professor in the Dance Department at the University of California, Riverside, USA PRIYA SRINIVASAN Assistant Professor in Dance at the University of California, Riverside, USA YUTIAN WONG Assistant Professor in Asian American Studies and Dance at the University of Illinois, Urbana-Champaign, USA Tab Content 6Author Website:Countries AvailableAll regions |
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