Workers of the World, Enjoy!: Aesthetic Politics from Revolutionary Syndicalism to the Global Justice Movement

Author:   Kenneth H. Tucker
Publisher:   Temple University Press,U.S.
ISBN:  

9781592137640


Pages:   224
Publication Date:   09 April 2010
Format:   Hardback
Availability:   In Print   Availability explained
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Workers of the World, Enjoy!: Aesthetic Politics from Revolutionary Syndicalism to the Global Justice Movement


Overview

The rise of the public sphere, as chronicled by social movements spanning the nineteenth, twentieth, and twenty-first centuries

Full Product Details

Author:   Kenneth H. Tucker
Publisher:   Temple University Press,U.S.
Imprint:   Temple University Press,U.S.
Dimensions:   Width: 14.00cm , Height: 2.30cm , Length: 21.00cm
Weight:   0.408kg
ISBN:  

9781592137640


ISBN 10:   1592137644
Pages:   224
Publication Date:   09 April 2010
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Acknowledgments Introduction Part I. Theoretical Reflections 1. Public Life, Aesthetics, and Social Theory 2. Social Movements and Aesthetic Politics 3. Identity, Knowledge, Solidarity, and Aesthetic Politics Part II. History and Social Movements 4. The World Is a Stage and Life Is a Carnival: The Rise of the Aesthetic Sphere and Pop u lar Culture 5. Labor and Aesthetic Politics: French Revolutionary Syndicalism, the IWW, and Fascism 6. The Flowering of Aesthetic Politics: May 1968, the New Social Movements, and the Global Justice Movement Conclusion Notes Index

Reviews

Tucker reconsiders the sociology of the public sphere by viewing it through the lens of performativity. Such a perspective highlights the ways that public spheres 'aestheticize' daily life and make possible new forms of subjectivity and collective life. What is especially impressive about this book is that Tucker develops his ideas at both an analytical and empirical level. The notions of the public sphere and civil society are today integral to debates about democracy and social change in both the academe and among activists. Tucker offers an original statement that is both compelling and important. -Steven Seidman, SUNY Albany


Tucker reconsiders the sociology of the public sphere by viewing it through the lens of performativity. Such a perspective highlights the ways that public spheres 'aestheticize' daily life and make possible new forms of subjectivity and collective life. What is especially impressive about this book is that Tucker develops his ideas at both an analytical and empirical level. The notions of the public sphere and civil society are today integral to debates about democracy and social change in both the academe and among activists. Tucker offers an original statement that is both compelling and important. oSteven Seidman, SUNY Albany Tucker provides new insight into the global justice movement, discussing the role that imagery and carnival traditions play in public displays of global justice activists... Tucker is doing something important with his book - attempting to integrate postmodern theory (which is often underemphasized in sociological research) into the study of social movements...His book is a great read for scholars and actors interested in the ways in which postmodern theories can be incorporated into sociological research. - Social Movement Studies, Vol. 1, 2011


Tucker reconsiders the sociology of the public sphere by viewing it through the lens of performativity. Such a perspective highlights the ways that public spheres 'aestheticize' daily life and make possible new forms of subjectivity and collective life. What is especially impressive about this book is that Tucker develops his ideas at both an analytical and empirical level. The notions of the public sphere and civil society are today integral to debates about democracy and social change in both the academe and among activists. Tucker offers an original statement that is both compelling and important. oSteven Seidman, SUNY Albany


""Tucker reconsiders the sociology of the public sphere by viewing it through the lens of performativity. Such a perspective highlights the ways that public spheres 'aestheticize' daily life and make possible new forms of subjectivity and collective life. What is especially impressive about this book is that Tucker develops his ideas at both an analytical and empirical level. The notions of the public sphere and civil society are today integral to debates about democracy and social change in both the academe and among activists. Tucker offers an original statement that is both compelling and important."" --Steven Seidman, SUNY Albany ""Tucker provides new insight into the global justice movement, discussing the role that imagery and carnival traditions play in public displays of global justice activists... Tucker is doing something important with his book - attempting to integrate postmodern theory (which is often underemphasized in sociological research) into the study of social movements...His book is a great read for scholars and actors interested in the ways in which postmodern theories can be incorporated into sociological research."" - Social Movement Studies, Vol. 1, 2011 ""When Tucker suppl[ies] gritty detail to echo his lucid discussions of major aesthetic theorists...he makes clear that critical attention to aesthetic politics is urgent."" - American Historical Review


Author Information

Kenneth H. Tucker, Jr. is Professor of Sociology at Mount Holyoke College, and author of Classical Social Theory: A Contemporary Approach, Anthony Giddens and Modern Social Theory, French Revolutionary Syndicalismand the Public Sphere, and (with Barbara Tucker) Industrializing Antebellum America.

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