Overview

The rise of the public sphere, as chronicled by social movements spanning the nineteenth, twentieth, and twenty-first centuries

Full Product Details

9781592137657

Table of Contents

Reviews

Tucker reconsiders the sociology of the public sphere by viewing it through the lens of performativity. Such a perspective highlights the ways that public spheres 'aestheticize' daily life and make possible new forms of subjectivity and collective life. What is especially impressive about this book is that Tucker develops his ideas at both an analytical and empirical level. The notions of the public sphere and civil society are today integral to debates about democracy and social change in both the academe and among activists. Tucker offers an original statement that is both compelling and important. Steven Seidman, SUNY Albany Tucker provides new insight into the global justice movement, discussing the role that imagery and carnival traditions play in public displays of global justice activists... Tucker is doing something important with his book - attempting to integrate postmodern theory (which is often underemphasized in sociological research) into the study of social movements...His book is a great read for scholars and actors interested in the ways in which postmodern theories can be incorporated into sociological research. Social Movement Studies

Tucker reconsiders the sociology of the public sphere by viewing it through the lens of performativity. Such a perspective highlights the ways that public spheres 'aestheticize' daily life and make possible new forms of subjectivity and collective life. What is especially impressive about this book is that Tucker develops his ideas at both an analytical and empirical level. The notions of the public sphere and civil society are today integral to debates about democracy and social change in both the academe and among activists. Tucker offers an original statement that is both compelling and important. -Steven Seidman, SUNY Albany

<p> Tucker reconsiders the sociology of the public sphere by viewing it through the lens of performativity. Such a perspective highlights the ways that public spheres 'aestheticize' daily life and make possible new forms of subjectivity and collective life. What is especially impressive about this book is that Tucker develops his ideas at both an analytical and empirical level. The notions of the public sphere and civil society are today integral to debates about democracy and social change in both the academe and among activists. Tucker offers an original statement that is both compelling and important. <br> --Steven Seidman, SUNY Albany

"""Tucker reconsiders the sociology of the public sphere by viewing it through the lens of performativity. Such a perspective highlights the ways that public spheres 'aestheticize' daily life and make possible new forms of subjectivity and collective life. What is especially impressive about this book is that Tucker develops his ideas at both an analytical and empirical level. The notions of the public sphere and civil society are today integral to debates about democracy and social change in both the academe and among activists. Tucker offers an original statement that is both compelling and important."" Steven Seidman, SUNY Albany ""Tucker provides new insight into the global justice movement, discussing the role that imagery and carnival traditions play in public displays of global justice activists... Tucker is doing something important with his book - attempting to integrate postmodern theory (which is often underemphasized in sociological research) into the study of social movements...His book is a great read for scholars and actors interested in the ways in which postmodern theories can be incorporated into sociological research."" Social Movement Studies ""When Tucker suppl[ies] gritty detail to echo his lucid discussions of major aesthetic theorists...he makes clear that critical attention to aesthetic politics is urgent."" - American Historical Review"

Tucker reconsiders the sociology of the public sphere by viewing it through the lens of performativity. Such a perspective highlights the ways that public spheres 'aestheticize' daily life and make possible new forms of subjectivity and collective life. What is especially impressive about this book is that Tucker develops his ideas at both an analytical and empirical level. The notions of the public sphere and civil society are today integral to debates about democracy and social change in both the academe and among activists. Tucker offers an original statement that is both compelling and important. Steven Seidman, SUNY Albany Tucker provides new insight into the global justice movement, discussing the role that imagery and carnival traditions play in public displays of global justice activists... Tucker is doing something important with his book - attempting to integrate postmodern theory (which is often underemphasized in sociological research) into the study of social movements...His book is a great read for scholars and actors interested in the ways in which postmodern theories can be incorporated into sociological research. Social Movement Studies When Tucker suppl[ies] gritty detail to echo his lucid discussions of major aesthetic theorists...he makes clear that critical attention to aesthetic politics is urgent. - American Historical Review

Author Information

Kenneth H. Tucker, Jr. is Professor of Sociology at Mount Holyoke College, and author of Classical Social Theory: A Contemporary Approach, Anthony Giddens and Modern Social Theory, French Revolutionary Syndicalismand the Public Sphere, and (with Barbara Tucker) Industrializing Antebellum America.

Tab Content 6

Countries Available