Words' Worth: What the Poet Does

Author:   Professor Claudia Brodsky (Princeton University, USA)
Publisher:   Bloomsbury Publishing Plc
ISBN:  

9781501364525


Pages:   160
Publication Date:   03 September 2020
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Words' Worth: What the Poet Does


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Author:   Professor Claudia Brodsky (Princeton University, USA)
Publisher:   Bloomsbury Publishing Plc
Imprint:   Bloomsbury Academic USA
Weight:   0.206kg
ISBN:  

9781501364525


ISBN 10:   1501364529
Pages:   160
Publication Date:   03 September 2020
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

"Acknowledgments Part I. Language Theory and Poetics 1. Wordsworth and the “Material Difference” of the “Real Language of Men” 2. A “Complex Scene” 3. “What the Poet Does” 4. The Poetics of Contradiction 5. “The True Difficulty” 6. “Spontaneous Overflow” Staged Part II. “Real Language” in Action 7. “Strange Fits” 8. “A Slumber . . .” 9. “Imagination” Part III. Necessary Poetics: Theory of the Real 10. “The Real Horizon” (Beyond Emotion): “Living Things” “That Do Not Live Like Living Men,” or the “Path” of the Subject Crossed 11. “The Real Horizon” (Before Emotion): What Proust (Rousseau, Diderot, and Hegel) Had ""in"" Mind Bibliography Index"

Reviews

In this compelling study, Claudia Brodsky radically revises our understanding of what the poet does, above all by developing dazzling readings of what Wordsworth meant by such central terms as real language, imagination, and nature. Through Brodsky's tenacious, fine-grained readings of Wordsworth's poetry and poetics - and also through her perceptive discussions of other writers from Diderot to De Man - language emerges as uniquely active and as capable of producing a distinctive kind of knowledge that goes beyond the merely empirical. This is a revelatory book that will transform our sense of the capacities of poetry for good. * Ross Wilson, University Lecturer in English, University of Cambridge, UK, and author of Shelley and the Apprehension of Life (2013) * 'Word's worth' or the 'worthy purpose' of language, and in particular what Wordsworth called alternately 'the real language of men' and 'the language really spoken by men,' is the subject of Claudia Brodsky's illuminating book. In a series of suggestive readings of Wordsworth's poetry and prose Brodsky discovers a force of this real and really spoken language that is analogous to the transcendental power to think what cannot be known in the cognitive sense--what Kant called the sublime. * Kevin McLaughlin, Dean of the Faculty and George Hazard Crooker Professor of English and Comparative Literature, Brown University, USA, and author of Poetic Force: Poetry after Kant (2014) * In Words' Worth, Claudia Brodsky accomplishes the seemingly impossible: an original reading of Wordsworth that renders his potent commonplaces strange, much in the manner of the poet himself. Rigorously lucid and seriously playful, engaging a range of interlocutors from Kant to Rousseau to Proust to Hegel to de Man, this meditation on language, aesthetics, power and knowledge puts Wordsworth's work into philosophical motion, uniting poetry, philosophy and the work of the critic herself in a common endeavor of making and/as knowing. * Helen Deutsch, Professor of English, University of California, Los Angeles, USA *


'Word's worth' or the 'worthy purpose' of language, and in particular what Wordsworth called alternately 'the real language of men' and 'the language really spoken by men,' is the subject of Claudia Brodsky's illuminating book. In a series of suggestive readings of Wordworth's poetry and prose Brodsky discovers a force of this real and really spoken language that is analogous to the transcendental power to think what cannot be known in the cognitive sense--what Kant called the sublime. * Kevin McLaughlin, Dean of the Faculty and George Hazard Crooker Professor of English and Comparative Literature, Brown University, USA, and author of Poetic Force: Poetry after Kant (2014) *


Author Information

Claudia Brodsky is Professor of Comparative Literature at Princeton University, USA, and ancien Directeur de Programme at the Collège International de Philosophie, Paris, France. Her publications include The Imposition of Form (1987), Lines of Thought (1996), Birth of a Nation'hood (co-edited with Toni Morrison, 1997), In the Place of Language (2009), Inventing Agency (co-edited with Eloy LaBrada, Bloomsbury, 2017), and The Linguistic Condition (forthcoming Bloomsbury, 2020).

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