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Overview"Word Space, Multiplicities, Openings, Andings will change your understanding of digital writing. The book offers the first comprehensive collection of Jim Rosenberg's essays, gathering what may be the most significant and overarching single exploration of hypertext. It includes historically significant texts such as """"The Interactive Diagram Sentence"""" as well as Rosenberg's most recent essays. This book is required reading for digital humanists, electronic writers, and new media scholars." Full Product DetailsAuthor: Jim Rosenberg , Sandy BaldwinPublisher: West Virginia University Press Imprint: West Virginia University Press Dimensions: Width: 15.20cm , Height: 1.80cm , Length: 22.90cm Weight: 0.340kg ISBN: 9781940425627ISBN 10: 194042562 Pages: 240 Publication Date: 30 August 2015 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Temporarily unavailable  The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of ContentsReviewsJim Rosenberg is arguably the most radical and original thinker in digital poetics, a vital link between experimental traditions of the sixties and the open horizons of the present century. The future he imagines for writing--an object-engendered, deeply behavioral ecology of signs--resonates strongly with current ideas about actor-networks and our experience in a world of things. Which is to say, the rest of us are only now, 20 or 30 years on, beginning to catch up to Jim's earliest recognitions. How important and timely, then, is this gathering of his essays on hypertext and digital poetics, which have been among the most influential in those fields and make rewarding reading for anyone who cares about the future of art and ideas. Stuart Moulthop, University of Wisconsin Milwaukee What he achieves, in theory and in practice, is no less than the invention of a new poetics and way of thinking, a blend of Mallarme, Cage, and spatial programming, in which hypertext simultaneously unravels and complexifies the structure of language. Helene Perrin and Arnaud Regnauld, University of Paris VIII Jim Rosenberg is arguably the most radical and original thinker in digital poetics, a vital link between experimental traditions of the sixties and the open horizons of the present century. The future he imagines for writing-an object-engendered, deeply behavioral ecology of signs-resonates strongly with current ideas about actor-networks and our experience in a world of things. Which is to say, the rest of us are only now, 20 or 30 years on, beginning to catch up to Jim's earliest recognitions. How important and timely, then, is this gathering of his essays on hypertext and digital poetics, which have been among the most influential in those fields and make rewarding reading for anyone who cares about the future of art and ideas. Stuart Moulthop, University of Wisconsin Milwaukee Jim Rosenberg is arguably the most radical and original thinker in digital poetics, a vital link between experimental traditions of the sixties and the open horizons of the present century. The future he imagines for writing an object-engendered, deeply behavioral ecology of signs resonates strongly with current ideas about actor-networks and our experience in a world of things. Which is to say, the rest of us are only now, 20 or 30 years on, beginning to catch up to Jim s earliest recognitions. How important and timely, then, is this gathering of his essays on hypertext and digital poetics, which have been among the most influential in those fields and make rewarding reading for anyone who cares about the future of art and ideas. Stuart Moulthop, University of Wisconsin Milwaukee Jim Rosenberg is arguably the most radical and original thinker in digital poetics, a vital link between experimental traditions of the sixties and the open horizons of the present century. The future he imagines for writing an object-engendered, deeply behavioral ecology of signs resonates strongly with current ideas about actor-networks and our experience in a world of things. Which is to say, the rest of us are only now, 20 or 30 years on, beginning to catch up to Jim s earliest recognitions. How important and timely, then, is this gathering of his essays on hypertext and digital poetics, which have been among the most influential in those fields and make rewarding reading for anyone who cares about the future of art and ideas. Stuart Moulthop, University of Wisconsin Milwaukee What he achieves, in theory and in practice, is no less than the invention of a new poetics and way of thinking, a blend of Mallarme, Cage, and spatial programming, in which hypertext simultaneously unravels and complexifies the structure of language. Helene Perrin and Arnaud Regnauld, University of Paris VIII Jim Rosenberg is arguably the most radical and original thinker in digital poetics, a vital link between experimental traditions of the sixties and the open horizons of the present century. The future he imagines for writing an object-engendered, deeply behavioral ecology of signs resonates strongly with current ideas about actor-networks and our experience in a world of things. Which is to say, the rest of us are only now, 20 or 30 years on, beginning to catch up to Jim s earliest recognitions. How important and timely, then, is this gathering of his essays on hypertext and digital poetics, which have been among the most influential in those fields and make rewarding reading for anyone who cares about the future of art and ideas. Stuart Moulthop, University of Wisconsin Milwaukee What he achieves, in theory and in practice, is no less than the invention of a new poetics and way of thinking, a blend of Mallarme, Cage, and spatial programming, in which hypertext simultaneously unravels and complexifies the structure of language. Helene Perrin and Arnaud Regnauld, University of Paris VIII Author InformationJim Rosenberg is a poet and hypertext theorist who has been working in non-linear poetic forms in one medium or another since 1966. His best-known work is Intergrams. His interactive work includes dense overlays of words and intense structuring, typically by means of an external syntax. Tab Content 6Author Website:Countries AvailableAll regions |
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