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OverviewFull Product DetailsAuthor: Rickie-Ann LegleitnerPublisher: Bloomsbury Publishing Plc Imprint: Lexington Books Dimensions: Width: 16.30cm , Height: 2.50cm , Length: 22.80cm Weight: 0.544kg ISBN: 9781793610348ISBN 10: 1793610347 Pages: 244 Publication Date: 06 May 2021 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsReviewsIn Women Writing the American Artist in Novels of Development from 1850-1932: The Artist Embodied, Rickie-Ann Legleitner makes a substantial contribution to the scholarship on the female artist novel of development through compelling analyses of patriarchal America’s resistance to recognizing women artists as creators of high art. In five Künstleromane published between 1850 and 1932, Legleitner focuses on how her selected women writers reconfigure accepted domestic and sentimental themes into declarations of female individualism and autonomy that establish the female body’s generative capabilities not only for corporeal reproduction but for liberating cultural production. Complicating the analyses through tropes of race, ethnicity, class and ability, the study examines the female fictional artists negotiating private and public spaces, the home and the marketplace, much as the women writers who created them did. -- Rita Bode, Professor of English Literature, Trent University In Women Writing the American Artist in Novels of Development from 1850-1932: The Artist Embodied, Rickie-Ann Legleitner makes a substantial contribution to the scholarship on the female artist novel of development through compelling analyses of patriarchal America's resistance to recognizing women artists as creators of high art. In five Kunstleromane published between 1850 and 1932, Legleitner focuses on how her selected women writers reconfigure accepted domestic and sentimental themes into declarations of female individualism and autonomy that establish the female body's generative capabilities not only for corporeal reproduction but for liberating cultural production. Complicating the analyses through tropes of race, ethnicity, class and ability, the study examines the female fictional artists negotiating private and public spaces, the home and the marketplace, much as the women writers who created them did. -- Rita Bode, Professor of English Literature, Trent University Author InformationRickie-Ann Legleitner is assistant professor of English and director of women’s, gender, and sexuality studies at the University of Wisconsin, Stout. Tab Content 6Author Website:Countries AvailableAll regions |