Women Writing Art History in the Nineteenth Century: Looking Like a Woman

Author:   Hilary Fraser (Birkbeck, University of London)
Publisher:   Cambridge University Press
Volume:   95
ISBN:  

9781107428744


Pages:   254
Publication Date:   01 September 2016
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Women Writing Art History in the Nineteenth Century: Looking Like a Woman


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Author:   Hilary Fraser (Birkbeck, University of London)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Volume:   95
Dimensions:   Width: 15.30cm , Height: 1.50cm , Length: 23.00cm
Weight:   0.380kg
ISBN:  

9781107428744


ISBN 10:   1107428742
Pages:   254
Publication Date:   01 September 2016
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Reviews

'… this eminently readable study of women writing in a diversity of genres during the nineteenth century … provides an important account of the conceptual origins of art history in Britain and the contributions of writers participating from the discipline's margins.' D. H. Cibelli, Choice


'... this eminently readable study of women writing in a diversity of genres during the nineteenth century ... provides an important account of the conceptual origins of art history in Britain and the contributions of writers participating from the discipline's margins.' D. H. Cibelli, Choice


Author Information

Hilary Fraser is Executive Dean of Arts and Geoffrey Tillotson Professor of Nineteenth-Century Studies at Birkbeck, University of London. Her publications include Beauty and Belief: Aesthetics and Religion in Victorian Literature (Cambridge, 1986), The Victorians and Renaissance Italy (1992), Gender and the Victorian Periodical (with Judith Johnston and Stephanie Green, Cambridge, 2003) and Minds, Bodies, Machines, 1770–1930 (co-edited with Deirdre Coleman, 2011).

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