Overview

This groundbreaking study examines the vexed and unstable relations between the eighteenth-century novel and the material world. Rather than exploring dress's transformative potential, it charts the novel's vibrant engagement with ordinary clothes in its bid to establish new ways of articulating identity and market itself as a durable genre. In a world in which print culture and textile manufacturing traded technologies, and paper was made of rags, the novel, by contrast, resisted the rhetorical and aesthetic links between dress and expression, style and sentiment. Chloe Wigston Smith shows how fiction exploited women's work with clothing - through stealing, sex work, service, stitching, and the stage - in order to revise and reshape material culture within its pages. Her book explores a diverse group of authors, including Jane Barker, Jonathan Swift, Daniel Defoe, Eliza Haywood, Samuel Richardson, Henry Fielding, Charlotte Lennox, John Cleland, Frances Burney and Mary Robinson.

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9781107035003

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Reviews

'A book for collections strong in eighteenth-century studies, fashion history, and material culture ... Highly recommended ... upper-division undergraduates through faculty.' M. E. Burstein, Choice '... finely illustrated, well researched, and clearly written, plump with telling examples, intriguing details about eighteenth-century dress, and insightful readings, this is a delightful study of the early novel from a new and important perspective.' Barbara M. Benedict, Journal of British Studies

'A book for collections strong in eighteenth-century studies, fashion history, and material culture ... Highly recommended ... upper-division undergraduates through faculty.' Choice

'A book for collections strong in eighteenth-century studies, fashion history, and material culture ... Highly recommended ... upper-division undergraduates through faculty.' M. E. Burstein, Choice '... finely illustrated, well researched, and clearly written, plump with telling examples, intriguing details about eighteenth-century dress, and insightful readings, this is a delightful study of the early novel from a new and important perspective.' Barbara M. Benedict, Journal of British Studies 'Women, Work, and Clothes in the Eighteenth-Century Novel tells a poignant story about a small gap in the cultural imagination of dress that was soon stitched closed again. [...] In her vivid retracing of a form of productive, buttoned-up femininity impervious to the dictates of both status and style, Wigston Smith shows us something almost unimaginable.' Danielle Bobker, Eighteenth-Century Fiction

A book for collections strong in eighteenth-century studies, fashion history, and material culture Highly recommended upper-division undergraduates through faculty. Choice

Author Information

Chloe Wigston Smith is an Assistant Professor in the Department of English at the University of Georgia, where she specializes in eighteenth-century studies. She studied the History of Dress at the Courtauld Institute of Art.

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