Women Painters in Rome: Guidebook

Author:   Ilaria Arcangeli
Publisher:   Officina Libraria
ISBN:  

9788833673172


Pages:   88
Publication Date:   20 August 2025
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Women Painters in Rome: Guidebook


Overview

Published in conjunction with the exhibition Roma pittrice. Artiste al lavoro tra XVI e XIX secolo (Rome paints. Women Artists at Work Between the 16th and 19th Centuries), at the Museo di Roma in Palazzo Braschi, this guide highlights to an even wider audience the presence of several women artists who where either born in Rome or made the eternal city their place of study and work. Starting from the artists represented in the Capitoline collections, such as Maria Felice Tibaldi (Subleyras), Angelika Kauffmann, Laura Piranesi, Luise Seidler and Emma Gaggiotti (Richards), the book includes other important artists who worked in the city, such as Lavinia Fontana, Artemisia Gentileschi, Giovanna Garzoni and many others, sometimes less known, whose oeuvre has been discovered in recent decades. The initial essay presents the gradual integration of women painters into the cosmopolitan Roman art market, with their laborious achievement of full access to education and to the most prestigious art institutions of the city and then explores the numerous pictorial genres to which they devoted themselves. The second part of the guidebook includes 56 biographies of these artists, revealing a rich and varied production until recently overlooked. AUTHOR: Ilaria Arcangeli is a PhD student at the University of Chieti with a project focusing on women artists active in Rome between the 16th and 17th centuries. As curatorial assistant, she organised the exhibition Roma pittrice. Artiste al lavoro tra XVI e XIX secolo (Museo di Roma di Palazzo Braschi, 2024). She mainly dealt with collecting and artistic patronage between the 16th and 17th centuries, documentary photography and ultimately the artistic production of Roman women's convents. SELLING POINTS: . This book stems from the great success of the exhibition Roma pittrice currently running until May 2025 at the Museum of Rome (ed. by Ilaria Miarelli Mariani and Raffaella Morselli) . In recent years there have been numerous studies, exhibitions and publications dedicated to these themes, arousing great interest in the public . The book, with its agile format, consists of an introduction on the insertion of women artists into Roman society and the artistic world, 56 bibliographies of women artists (most of them little known to date), with important new archival and bibliographical information . Includes colour images of their most representative works . Two maps in the flaps showing both the places where the women painters lived and worked and the sites where their works can currently be seen. 65 colour illustrations

Full Product Details

Author:   Ilaria Arcangeli
Publisher:   Officina Libraria
Imprint:   Officina Libraria
Dimensions:   Width: 16.50cm , Height: 0.80cm , Length: 24.00cm
Weight:   0.280kg
ISBN:  

9788833673172


ISBN 10:   8833673170
Pages:   88
Publication Date:   20 August 2025
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Preface, Ilaria Miarelli Mariani and Raffaella Morselli The Woman of the Eternal City, Ilaria Arcangeli Biographies

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Author Information

Ilaria Arcangeli is a PhD student at the University of Chieti with a project focusing on women artists active in Rome between the 16th and 17th centuries. As curatorial assistant, she organised the exhibition Roma pittrice. Artiste al lavoro tra XVI e XIX secolo (Museo di Roma di Palazzo Braschi, 2024). She mainly dealt with collecting and artistic patronage between the 16th and 17th centuries, documentary photography and ultimately the artistic production of Roman women's convents.

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