Women of Influence in Contemporary Music: Nine American Composers

Author:   Michael K. Slayton
Publisher:   Scarecrow Press
ISBN:  

9780810877429


Pages:   494
Publication Date:   23 December 2010
Format:   Hardback
Availability:   Awaiting stock   Availability explained
The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you.

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Women of Influence in Contemporary Music: Nine American Composers


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Full Product Details

Author:   Michael K. Slayton
Publisher:   Scarecrow Press
Imprint:   Scarecrow Press
Dimensions:   Width: 16.40cm , Height: 3.90cm , Length: 23.90cm
Weight:   0.850kg
ISBN:  

9780810877429


ISBN 10:   0810877422
Pages:   494
Publication Date:   23 December 2010
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Awaiting stock   Availability explained
The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you.

Table of Contents

Reviews

Slayton (Blair School of Music, Vanderbilt Univ.) has assembled extensive and exciting materials on nine significant American composers. For each--Elizabeth Austin, Susan Botti, Gabriela Lena Frank, Jennifer Higdon, Libby Larsen, Tania Leon, Cindy McTee, Marga Richter, and Judith Shatin--he provides an essay (he contributes two of the nine), a transcribed interview, analysis of a work, a coda, notes, a list of works, and a discography. Those interested in researching any of these women will find that the materials gathered offer a good first step in a larger research construct. The conversations (i.e., interviews) shed light on biographical and aesthetic issues specific to the composer and simultaneously demonstrate her sense of humor. For example, speaking about her earliest musical experiences, McTee says, In high school I played piano for the choir, and even when we sang Brahms, I continued to improvise--much to the director's displeasure. I was presumptuous enough to think I knew better than Brahms! Now, of course, I hope those who play my music will have greater respect for what's on the page than I did. Karin Pendle's foreword-- Who Are These Women? --is one of the best features of the volume. Summing Up: Recommended Choice


Author Information

Michael K. Slayton is associate professor and chair of the Department of Music Composition and Theory at Vanderbilt University's Blair School of Music.

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