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OverviewFull Product DetailsAuthor: Julie C. Dunbar (Edgewood College, USA)Publisher: Taylor & Francis Ltd Imprint: Routledge Edition: 3rd edition Weight: 1.340kg ISBN: 9780367138127ISBN 10: 0367138123 Pages: 418 Publication Date: 31 December 2020 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsPart I Telling Musical Stories: Missing Voices in the Documentation of Musical Traditions Chapter 1 Reflections on ""Deep Listening"": Exploring Music in Context Focus on Feminism Defining Feminism: Nineteenth Century Roots and Women’s Suffrage Chapter 2 Medieval Liturgical Roots and the Documentation of the Western Canon Chapter 3 Women in ""World"" Music: An Expanded View of Global Narratives Part II Restricted Domains: Gender Spheres in Art Music Chapter 4 Court Performers of Japan, India, and Europe: Freedom and Restriction Chapter 5 The Baroque: Social Class and the Path to Publication Chapter 6 Eighteenth Century Classicism: Revisiting Vienna Chapter 7 Romantic-Era Performer/Composers: Walking the Public/Private Line Focus on Feminism From First Wave to Second Wave Part III Visual Images in an Aural World Chapter 8 American Popular Music: 1895-1945 Chapter 9 Empowered Voices in the Public Eye: Women of Gospel and Blues Chapter 10 Visual Media and the Marketing of Performers Focus on Feminism Third-Wave Feminist Diversity Part IV A Time of Change: The Impact of Education on Women’s Art Music Activity Chapter 11 Changing Gender Roles: From Nineteenth Century Opera to the Modern Musical Focus on Feminism Voice of Authority Chapter 12 Segregation and Integration: Instrumental Ensembles from 1900 to the Present Focus on Feminism Music and #MeToo Chapter 13 Large-Scale Works and Experimental Voices Part V No Longer ""One of the Boys"" Chapter 14 Instrumental to Jazz: The Forgotten Role of Women Chapter 15 Music Technology in the Hands of Women Chapter 16 Popular Music as a Feminist Platform: Women in Charge of Production and Management Focus on Feminism Do We Still Need Feminism?ReviewsJulie Dunbar's Women, Music, Culture is not only an outstanding introduction related to women in music, but also an excellent collection and presentation of many examples concerning a wide range of historical subjects, as well as contemporary musical genres and fields. The book is supplemented by questions for critical thinking and discussion, as well as ideas for further research; therefore, this publication provides basic and ideal working materials in undergraduate courses. Christa Brustle, Heidelberg University, Germany Women, Music, Culture is an excellent introductory undergraduate text that frames womens' contributions to music in a global context, seriously examining a vast array of art and popular music within and outside of western culture. Allison Adrian, St. Catherine University, USA """Julie Dunbar’s Women, Music, Culture is not only an outstanding introduction related to ""women in music,"" but also an excellent collection and presentation of many examples concerning a wide range of historical subjects, as well as contemporary musical genres and fields. The book is supplemented by questions for critical thinking and discussion, as well as ideas for further research; therefore, this publication provides basic and ideal working materials in undergraduate courses."" —Christa Brüstle, Heidelberg University, Germany ""Women, Music, Culture is an excellent introductory undergraduate text that frames womens’ contributions to music in a global context, seriously examining a vast array of art and popular music within and outside of western culture."" —Allison Adrian, St. Catherine University, USA" Author InformationJulie C. Dunbar is Professor Emerita of Music at Edgewood College, Madison, Wisconsin, where she taught music history, music appreciation, instrumental music education, and served as Faculty Development Coordinator. Her past publications focus on music in sociocultural contexts as well as vocation in higher education. Tab Content 6Author Website:Countries AvailableAll regions |