|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Kathryn Mederos Syssoyeva , Scott ProudfitPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Edition: 1st ed. 2016 Dimensions: Width: 14.80cm , Height: 2.40cm , Length: 21.00cm Weight: 5.761kg ISBN: 9781137603272ISBN 10: 1137603275 Pages: 348 Publication Date: 30 August 2016 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsPart I. First Wave, 1900-1945.- 1. Raising the Curtain on Suzanne Bing’s Life in the Theatre; Jane Baldwin.- 2. From Neva Boyd to Viola Spolin; Scott Proudfit.- 3. A Democratic Legacy; Elizabeth A. Osborne.- 4. Aleksandra Remizova; Andrei Malaev-Babel.- PART II. Second Wave, 1945-1985.- 5. Mnouchkine & Co.; David Calder.- 6. Ruth Maleczech, JoAnne Akalaitis, and the Mabou Mines Family Aesthetic; Jessica Silsby Brater;- 7. “Hers and His”;Siobhan O'Gorman.- 8. From the Center to the Heartland; Anne Fletcher.- 9. Historiographing a Feminist Utopia; Michelle MacArthur.- 10. Monstrous Regiment; Sarah Sigal.- PART III. Third Wave, 1985-2014.- 11. Judith Malina and the Living Theatre; Cindy Rosenthal.- 12. Bryony Lavery; Karen Morash.- 13. Women, Transmission, and Creative Agency in the Grotowski Diaspora; Virginie Magnat.- 14. The Women of Odin Teatret; Adam Ledger.- 15. Doing What Comes Naturally?; Alex Mermikides and Jackie Smart.- 16. Collective Creation Downtown 2014; Rachel Anderson-Rabern.- 17. Between Africa and America; Nia O. Witherspoon.- 18. Hands like starfish/Feet like moons; Victoria Lewis.- 19. Pussy Riot and Performance as Social Practice; Julia Listengarten.ReviewsAuthor InformationA theatre director, teacher and scholar, Kathryn Mederos Syssoyeva’s publications include A History of Collective Creation and Collective Creation in Contemporary Performance (2013). Work in development includes Meyerhold and Stanislavsky at Povarskaya Street: Art, Money, Politics, and the Birth of Laboratory Theatre. Scott Proudfit is Assistant Professor in English at Elon University, USA. Previously, he worked as an editor for Back Stage and Back Stage West, while collaborating with the Actors’ Gang, the Factory Theater, and Irondale Ensemble Project. He was associate editor of A History of Collective Creation and Collective Creation in Contemporary Performance (2013). Tab Content 6Author Website:Countries AvailableAll regions |