Women, Art and Observant Franciscan Piety: Caterina Vigri and the Poor Clares in Early Modern Ferrara

Author:   Kathleen Giles Arthur
Publisher:   Taylor & Francis Ltd
ISBN:  

9781041190820


Pages:   252
Publication Date:   01 December 2025
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Women, Art and Observant Franciscan Piety: Caterina Vigri and the Poor Clares in Early Modern Ferrara


Overview

Caterina Vigri (later Saint Catherine of Bologna) was a mystic, writer, teacher and nun-artist. Her first home, Corpus Domini, Ferrara, was a house of semi-religious women that became a Poor Clare convent and model of Franciscan Observant piety. Vigri's intensely spiritual decoration of her breviary, as well as convent altarpieces that formed a visual program of adoration for the Body of Christ, exemplify the Franciscan Observant visual culture. After Vigri's departure, it was transformed by d'Este women patrons, including Isabella da Aragona, Isabella d'Este and Lucrezia Borgia. While still preserving Observant ideals, it became a more elite noblewomen's retreat, Grounded in archival research and extant paintings, drawings, prints and art objects from Corpus Domini, this volume explores the art, visual culture, and social history of an early modern Franciscan women's community.

Full Product Details

Author:   Kathleen Giles Arthur
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.470kg
ISBN:  

9781041190820


ISBN 10:   1041190824
Pages:   252
Publication Date:   01 December 2025
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Author Information

Kathleen Giles Arthur is Professor of Italian Renaissance Art (emerita) at James Madison University (Virginia), author of studies on fifteenth-century women artists, including Caterina Vigri (St. Catherine of Bologna) and self-portraitist Maria di Ormanno degli Albizzi, as well as Florentine art and patronage around the time of the Black Death.

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