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9781575911311

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Tassi locates an interesting lacuna in the extensive criticism of the revenge play: the agency of women characters in revenge plots. Her theoretical approach draws on the work of Rene Girard and Peter French and on feminism. Tassi's project is to do justice to women's stories of revenge, to let them march in from the peripheries of revenge literature and criticism into the spotlight. What is interesting and useful is her identification of submerged revenge narratives accompanying some of Shakespeare's female characters. ...A bibliography with real historical depth makes this book pertinent for specialists, and the analysis of scenes and characters makes it friendly to less-experienced readers. Summing Up: Recommended. -- Choice Women and Revenge in Shakespeare is an ambitious and well-researched monograph that deserves careful attention. ...In its objectives, the book does not avoid the moral dilemma posed by blood revenge in these plays. Although its justification of revenge may not appeal to everyone, its precise reworking of these women characters gives one more feminist enhancement to the nuanced representations that Shakespeare bequeathed us. -- Comparative Drama

Tassi locates an interesting lacuna in the extensive criticism of the revenge play: the agency of women characters in revenge plots. Her theoretical approach draws on the work of Rene Girard and Peter French and on feminism. Tassi's project is to do justice to women's stories of revenge, to let them march in from the peripheries of revenge literature and criticism into the spotlight. What is interesting and useful is her identification of submerged revenge narratives accompanying some of Shakespeare's female characters. ...A bibliography with real historical depth makes this book pertinent for specialists, and the analysis of scenes and characters makes it friendly to less-experienced readers. Summing Up: Recommended. -- Choice Women and Revenge in Shakespeare is an ambitious and well-researched monograph that deserves careful attention. ...In its objectives, the book does not avoid the moral dilemma posed by blood revenge in these plays. Although its justification of revenge may not appeal to everyone, its precise reworking of these women characters gives one more feminist enhancement to the nuanced representations that Shakespeare bequeathed us. -- Comparative Drama This is otherwise a well-written book, intelligent and thoroughly researched. Tassihas made a significant contribution to our understanding of an important subject. Renaissance Quarterly

Tassi locates an interesting lacuna in the extensive criticism of the revenge play: the agency of women characters in revenge plots. Her theoretical approach draws on the work of René Girard and Peter French and on feminism. Tassi's project is ""to do justice to women's stories of revenge, to let them march in from the peripheries of revenge literature and criticism into the spotlight."" What is interesting and useful is her identification of ""submerged revenge narratives"" accompanying some of Shakespeare's female characters. ...A bibliography with real historical depth makes this book pertinent for specialists, and the analysis of scenes and characters makes it friendly to less-experienced readers. Summing Up: Recommended. Women and Revenge in Shakespeare is an ambitious and well-researched monograph that deserves careful attention. ...In its objectives, the book does not avoid the moral dilemma posed by blood revenge in these plays. Although its justification of revenge may not appeal to everyone, its precise reworking of these women characters gives one more feminist enhancement to the nuanced representations that Shakespeare bequeathed us. -- Comparative Drama This is otherwise a well-written book, intelligent and thoroughly researched. Tassihas made a significant contribution to our understanding of an important subject. * Renaissance Quarterly *

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Marguerite A. Tassi is Professor of English at the University of Nebraska-Kearney. She received her BA degree from Columbia University, MA from the University of Virginia, and PhD from The Claremont Graduate School. She is the author of The Scandal of Images: Iconoclasm, Eroticism, and Painting in Early Modern English Drama (SUP).

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