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OverviewFull Product DetailsAuthor: Alissa Mello , Claudia Orenstein , Cariad AstlesPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.458kg ISBN: 9780415787383ISBN 10: 0415787386 Pages: 222 Publication Date: 21 May 2019 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of Figures Notes on Contributors Foreword Acknowledgments Introduction Part I: Critical Perspectives on Women in Puppet Theatre Chapter 1 Chapter 2 Chapter 3 Chapter 4 Part II: Local Contexts: Challenges and Transformations Chapter 5 Chapter 6 Chapter 7 Chapter 8 Part III: Women Practitioners Speak Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 IndexReviewsThis co-edited volume takes strides in object theatre's performance history, and does additional service by interrogating gender issues, past and present. The book shows that writing about puppetry and women is necessary, especially as the work of women in puppetry accelerates internationally. - KATHY FOLEY, Asian Theatre Journal, University of California-Santa Cruz This co-edited volume takes strides in object theatre's performance history, and does additional service by interrogating gender issues, past and present. The book shows that writing about puppetry and women is necessary, especially as the work of women in puppetry accelerates internationally. - KATHY FOLEY, Asian Theatre Journal, University of California-Santa Cruz """This co-edited volume takes strides in object theatre’s performance history, and does additional service by interrogating gender issues, past and present. The book shows that writing about puppetry and women is necessary, especially as the work of women in puppetry accelerates internationally."" - KATHY FOLEY, Asian Theatre Journal, University of California-Santa Cruz" Author Information"Alissa Mello is an independent theatre artist and scholar, whose research interests include women and performance, as well as practice and social justice. Her publications include a chapter in Undisciplining Dance in 9 Movements and 8 Stumbles (2018), and articles in Performance Research, Puppetry International and PAJ: A Journal of Performance and Art. Claudia Orenstein is professor of theatre at Hunter College and the Graduate Center, CUNY. She has spent over a decade writing on puppetry, and her publications include The Routledge Companion to Puppetry and Material Performance (co-editor) and Festive Revolutions: The Politics of Popular Theatre and the San Francisco Mime Troupe. Cariad Astles is course leader for the BA in puppetry at the Royal Central School of Speech and Drama, and lecturer in Drama at Exeter University, UK. She specialises in training and directing for puppetry performance and in the use of puppets within healthcare. Her publications include International Puppetry Research: Tracing Past and Present, ""Puppetry and dictatorship"" in Performing (for) Survival: Theatre, Crisis and Extremity, and ""Puppetry Training in Contemporary Live Theatre"" in Theatre, Dance and Performance Training." Tab Content 6Author Website:Countries AvailableAll regions |
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