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OverviewFull Product DetailsAuthor: Linda Zionkowski , Miriam F. Hart , Pierre DuBois , Kelly M. McDonaldPublisher: Bucknell University Press,U.S. Imprint: Bucknell University Press,U.S. Dimensions: Width: 15.60cm , Height: 2.30cm , Length: 23.50cm Weight: 0.399kg ISBN: 9781684485154ISBN 10: 1684485150 Pages: 272 Publication Date: 15 December 2023 Recommended Age: From 18 to 99 years Audience: General/trade , College/higher education , Professional and scholarly , General , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: To order  Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsReviews“Women and Music in the Age of Austen offers an expansive, lively, colourful view of the gendered musical practices of the eighteenth century and the Romantic period. These essays enrich our knowledge of the musical world of Jane Austen and Frances Burney while shining a spotlight on little-known female performers, critics, composers, consumers, collectors, fans, and musical entrepreneurs of the preceding decades.” -- Angela Esterhammer * author of Print and Performance in the 1820s: Improvisation, Speculation, Identity * “Finding inspiration in a broad range of sources, the volume reflects on women and their musical activities in Georgian England. A focus on Jane Austen and her novels moves in and out of the picture, amplified and receding against historical figures known and unknown. Through these essays by musically-informed literary scholars and musicologists, readers get a sense of the possibilities and desires of women engaged with music over a historical period that brackets the life of our beloved Jane.” -- Maribeth Clark * coeditor of Musicology and Dance: Historical and Critical Perspectives * “Music was important to Jane Austen, as her novels and letters attest, and women played a hitherto undervalued part in the musical world of her time. This sparkling and substantial collection of interdisciplinary essays illuminates Austen’s fiction and her age in many original and surprising ways.” -- Peter Sabor * coeditor of Jane Austen's Manuscript Works * “Finding inspiration in a broad range of sources, the volume reflects on women and their musical activities in Georgian England. A focus on Jane Austen and her novels moves in and out of the picture, amplified and receding against historical figures known and unknown. Through these essays by musically-informed literary scholars and musicologists, readers get a sense of the possibilities and desires of women engaged with music over a historical period that brackets the life of our beloved Jane.”— Maribeth Clark, coeditor of Musicology and Dance: Historical and Critical Perspectives “Music was important to Jane Austen, as her novels and letters attest, and women played a hitherto undervalued part in the musical world of her time. This sparkling and substantial collection of interdisciplinary essays illuminates Austen’s fiction and her age in many original and surprising ways.”— Peter Sabor, coeditor of Jane Austen's Manuscript Works “Women and Music in the Age of Austen offers an expansive, lively, colourful view of the gendered musical practices of the eighteenth century and the Romantic period. These essays enrich our knowledge of the musical world of Jane Austen and Frances Burney while shining a spotlight on little-known female performers, critics, composers, consumers, collectors, fans, and musical entrepreneurs of the preceding decades.”— Angela Esterhammer, author of Print and Performance in the 1820s: Improvisation, Speculation, Identity “Music was important to Jane Austen, as her novels and letters attest, and women played a hitherto undervalued part in the musical world of her time. This sparkling and substantial collection of interdisciplinary essays illuminates Austen’s fiction and her age in many original and surprising ways.”— Peter Sabor, coeditor of Jane Austen's Manuscript Works “Finding inspiration in a broad range of sources, the volume reflects on women and their musical activities in Georgian England. A focus on Jane Austen and her novels moves in and out of the picture, amplified and receding against historical figures known and unknown. Through these essays by musically-informed literary scholars and musicologists, readers get a sense of the possibilities and desires of women engaged with music over a historical period that brackets the life of our beloved Jane.”— Maribeth Clark, coeditor of Musicology and Dance: Historical and Critical Perspectives “Women and Music in the Age of Austen offers an expansive, lively, colourful view of the gendered musical practices of the eighteenth century and the Romantic period. These essays enrich our knowledge of the musical world of Jane Austen and Frances Burney while shining a spotlight on little-known female performers, critics, composers, consumers, collectors, fans, and musical entrepreneurs of the preceding decades.”— Angela Esterhammer, author of Print and Performance in the 1820s: Improvisation, Speculation, Identity Author InformationLINDA ZIONKOWSKI is the Samuel and Susan Crowl Professor of Literature at Ohio University in Athens. She is the author of Men’s Work: Gender, Class, and the Professionalization of Poetry, 1660–1784 and Women and Gift Exchange in Eighteenth-Century Fiction: Richardson, Burney, Austen and coeditor of The Culture of the Gift in Eighteenth-Century England. MIRIAM F. HART received her PhD at Ohio University in Athens after twenty years of touring as a singer, recording with the Allman Brothers as well as with her group, The Local Girls. She has performed at the White House, on A Prairie Home Companion, and at numerous musical festivals and venues across the United States. Her dissertation included the first complete photographic archiving of Austen’s songbooks. Tab Content 6Author Website:Countries AvailableAll regions |
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