Wittgenstein and Performance

Author:   Mischa Twitchin
Publisher:   Rowman & Littlefield
ISBN:  

9781538175095


Pages:   272
Publication Date:   05 January 2024
Format:   Hardback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Wittgenstein and Performance


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Full Product Details

Author:   Mischa Twitchin
Publisher:   Rowman & Littlefield
Imprint:   Rowman & Littlefield
Dimensions:   Width: 15.70cm , Height: 2.10cm , Length: 24.00cm
Weight:   0.540kg
ISBN:  

9781538175095


ISBN 10:   1538175096
Pages:   272
Publication Date:   05 January 2024
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Introduction, Mischa Twitchin Chapter 1. Familiarity in Gesture: An Encounter Between Dance and Wittgenstein's Thought, Né Barros Chapter 2. Pataquerulous Wittgenstein and the Animaladies of Language, Charles Bernstein Chapter 3. The Possibility of Fact: Sketching an Origin for the Performative, Simon Bowes Verbal Fog (poem), Miles Champion Chapter 4. The More One Looks…, Will Daddario and Alice Lagaay Chapter 5. The Stage of Thoughts: Ludwig Wittgenstein and Josef Nadj, Veronika Darida Chapter 6. Encountering Wittgenstein, Françoise Davoine Chapter 7. I’ll Teach You Differences: Wittgenstein Against Philosophical Pseudo-Performance, Peter Dillard Chapter 8.Conversation between Signe Gjessing, Ray Monk, and Max Richter Chapter 9. Always One Sentence on Every Page Allowed my Mind to Flower, KennethGoldsmith Chapter 10. The Fibres, the Fly Bottle, and the Rough Ground: Wittgenstein’s Figuration of Politics, Derek Gottlieb Chapter 11. Ethics is Aesthetics, Anthony Howell Chapter 12. Let the Use of the Words Teach You Their Meaning: A Dialogue between Sue MacLaine and Jonathan Burrows Chapter 13. Reading Jean Bazin with Wittgenstein: Playing Chess or Making Custard?, Bernard Müller Chapter 14. The Odd Couple: Duchamp and Wittgenstein, Marjorie Perloff In Memoriam (poem), Tom Raworth Chapter 15. On Performing Wittgenstein, Bo Tarenskeen Chapter 16. Wittgenstein’s Use of the Tableau Vivant: Proposition and Group Performance, The Aesthetics Group (Jeanette Doyle, Cathy O’Carroll, Mick O’Hara, and Connell Vaughan) Chapter 17. Philosophical Problems and Stochastic Parrots: Between Aphorism and Algorithm, Mischa Twitchin Chapter 18. Wittgenstein Incorporated: A Conversation between Peter and Lukas Verburgt Index About the Contributors

Reviews

There are few people with the nerve to reacquaint Wittgenstein and performance, but Mischa Twitchin is one. Having recognised the curious elision of the Analytic tradition from almost all interdisciplinary pairings of thought and theatre, this critically incisive and often playful collection sets about recovering the potential for a practiced poetics of philosophical rigour. -- Alan Read, professor of theatre and director of Performance Foundation, King’s College London This inventive collection shows that Wittgenstein’s impact on the arts, from poetry to performance, continues to evolve in new directions. By mixing artists and scholars, the volume allows readers to explore surprising lines of influence and to make their own connections across different forms of writing and thinking. An intellectual treat. -- Martin Puchner, Harvard University Taken together, the essays here profoundly honor the very special feature of Wittgenstein’s mode of thinking, which is so playful and creative that it was bound to inspire the crossings between thinking and performing to which this book testifies. A much-needed book, in Wittgenstein’s spirit. -- Mieke Bal, co-founder of the Amsterdam School of Cultural Analysis (ASCA)


Author Information

Mischa Twitchin is a lecturer of theatre and performance at Goldsmiths, University of London.

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