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9781551113784

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“It is no longer a secret for specialists only that Frances Burney wrote some of the finest stage comedies of the eighteenth century. Thanks to Peter Sabor and Geoffrey Sill, this splendid edition makes two of her best plays available to readers, directors, actors, and students alike.” — Brian Corman, University of Toronto “Burney’s comedies, like her novels, have lively and funny moments, but are likely to appeal to modern readers as much for their uncomfortably vivid depictions of embarrassment, vulnerability and marginalisation on the basis of gender, class, status and money. Peter Sabor and Geoffrey Sill’s edition effectively contextualises The Witlings and The Woman-Hater within eighteenth-century theatrical culture and Burney’s own preoccupations, literary and personal. This is an attractive, affordable, and excellently annotated edition.” — Jacqueline Pearson, The University of Manchester

It is no longer a secret for specialists only that Frances Burney wrote some of the finest stage comedies of the eighteenth century. Thanks to Peter Sabor and Geoffrey Sill, this splendid edition makes two of her best plays available to readers, directors, actors, and students alike. - Brian Corman, University of Toronto Burney's comedies, like her novels, have lively and funny moments, but are likely to appeal to modern readers as much for their uncomfortably vivid depictions of embarrassment, vulnerability and marginalisation on the basis of gender, class, status and money. Peter Sabor and Geoffrey Sill's edition effectively contextualises The Witlings and The Woman-Hater within eighteenth-century theatrical culture and Burney's own preoccupations, literary and personal. This is an attractive, affordable, and excellently annotated edition. - Jacqueline Pearson, The University of Manchester

Burney's comedies, like her novels, have lively and funny moments, but are likely to appeal to modern readers as much for their uncomfortably vivid depictions of embarrassment, vulnerability and marginalisation on the basis of gender, class, status and money. Peter Sabor and Geoffrey Sill's edition effectively contextualises The Witlings and The Woman-Hater within eighteenth-century theatrical culture and Burney's own preoccupations, literary and personal. This is an attractive, affordable, and excellently annotated edition. --Jacqueline Pearson

It is no longer a secret for specialists only that Frances Burney wrote some of the finest stage comedies of the eighteenth century. Thanks to Peter Sabor and Geoffrey Sill, this splendid edition makes two of her best plays available to readers, directors, actors, and students alike. - Brian Corman, University of Toronto Burney's comedies, like her novels, have lively and funny moments, but are likely to appeal to modern readers as much for their uncomfortably vivid depictions of embarrassment, vulnerability and marginalisation on the basis of gender, class, status and money. Peter Sabor and Geoffrey Sill's edition effectively contextualises The Witlings and The Woman-Hater within eighteenth-century theatrical culture and Burney's own preoccupations, literary and personal. This is an attractive, affordable, and excellently annotated edition. - Jacqueline Pearson, The University of Manchester

Author Information

Peter Sabor is a professor at McGill University. Geoffrey Sill is a professor at Rutgers University.

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