William Shakespeare's Sonnet Philosophy, Volume 4: How the works of Darwin, Wittgenstein, Duchamp, and Mallarmé led to an appreciation of Shakespeare’s philosophy

Author:   Roger Peters
Publisher:   Quaternary Imprint
Edition:   2nd edition
ISBN:  

9780473473747


Pages:   298
Publication Date:   26 April 2019
Format:   Hardback
Availability:   Available To Order   Availability explained
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William Shakespeare's Sonnet Philosophy, Volume 4: How the works of Darwin, Wittgenstein, Duchamp, and Mallarmé led to an appreciation of Shakespeare’s philosophy


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Overview

William Shakespeare's Sonnet Philosophy Volume 4 (Second Edition 2019 Part 1 explains how the combination of the logic behind Charles Darwin's biology, Ludwig Wittgenstein's language philosophy, Stephane Mallarmé’s symbolic poetry, and Marcel Duchamp's mythic logic of art each provide a component that Shakespeare's comprehensive and consistent philosophy coordinates and completes. Part 2 examines the work of a number of thinkers to show how they are compromised by an inability to determine Shakespeare's nature-based logic. There are essays on Sigmund Freud/Carl Jung, James Joyce/T. S. Eliot, Stephen Booth/Helen Vendler, and Friedrich Nietzsche/Ludwig Wittgenstein, George Lakoff/Mark Johnson, Thomas Jefferson, Germaine Greer, and Riane Eisler, and two essays examine further the contributions of Duchamp and Mallarmé.

Full Product Details

Author:   Roger Peters
Publisher:   Quaternary Imprint
Imprint:   Quaternary Imprint
Edition:   2nd edition
Dimensions:   Width: 15.20cm , Height: 1.80cm , Length: 22.90cm
Weight:   0.553kg
ISBN:  

9780473473747


ISBN 10:   0473473747
Pages:   298
Publication Date:   26 April 2019
Audience:   College/higher education ,  General/trade ,  Postgraduate, Research & Scholarly ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Preface; Part 1, From Duchamp to Shakespeare and Back, A question for Thierry de Duve, Introduction Chapter 1-Marcel Duchamp: aesthetics, Chapter 2-Ludwig Wittgenstein: the logical, Chapter 3-Charles Darwin: the biological, Chapter 4-William Shakespeare: the Nature template, Chapter 5-Postscript: from Shakespeare to Duchamp, Part 2, 10 Essays, Marcel Duchamp, Stephane Mallarmé, Sigmund Freud & Carl Jung, James Joyce & T. S. Eliot, Germaine Greer, Stephen Booth & Helen Vendler, Friedrich Nietzsche & Ludwig Wittgenstein, George Lakoff & Mark Johnson, Thomas Jefferson, Riane Eisler

Reviews

... there followed a major treatise which analyses the sonnets in extra- ordinary depth. The scholarly input is in the proper sense of the word - awesome. I thought that in the course of my university studies and many years of teaching I had some understanding of Shakespeare's writings. Alongside the Peters' insights this understanding is trite, superficial and inadequate. The work that Mr. Peters has produced is not merely a work of discovery: it is a masterpiece of analysis which breaks new ground and compels by its logic a new view of the sonnets. R. G. Habershon; M.A. B.Ed. A.C.C.M. Dip. Teach.


Author Information

Roger Peters is an artist, philosopher and writer who lives and works in Taranaki, New Zealand. In 1995, he detected a profound and comprehensive philosophy in Shakespeare's 1609 Sonnets. The depth and scope of the insight explains why Shakespeare's plays and poems are increasingly relevant to today's global audience. Peters presented Shakespeare's nature-based philosophy in a 1760-page four-volume set William Shakespeare's Sonnet Philosophy in 2005. Volume 4(Second Edition 2019) explains how the combination of the logic behind Charles Darwin's biology, Ludwig Wittgenstein's philosophy, Stephane Mallarmé's poetry, and Marcel Duchamp's art each provide a component that Shakespeare's brilliant philosophy coordinates and completes. Volume 4 then examines a number of significant thinkers to show they are compromised by an inability to understand Shakespeare's nature-based logic.

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