William Faulkner, William James, and the American Pragmatic Tradition

Author:   David H. Evans
Publisher:   Louisiana State University Press
ISBN:  

9780807133156


Pages:   304
Publication Date:   30 May 2008
Format:   Hardback
Availability:   Awaiting stock   Availability explained
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William Faulkner, William James, and the American Pragmatic Tradition


Overview

In William Faulkner, William James, and the American Pragmatic Tradition, David H. Evans pairs the writings of America's most intellectually challenging modern novelist, William Faulkner, and the ideas of America's most revolutionary modern philosopher, William James. Though Faulkner was dubbed an idealist after World War II, Evans demonstrates that Faulkner's writing is deeply connected to the emergence of pragmatism as an intellectual doctrine and cultural force in the early twentieth century. Tracing pragmatism to its very roots, Evans examines the nineteenth-century confidence man of antebellum literature as the original practitioner of the pragmatic principle that a belief can give rise to its own objects. He casts this figure as the missing link between Faulkner and James, giving him new prominence in the prehistory of pragmatism. Moving on to Jamesian pragmatism, Evans contends that James's central innovation was his ability to define truth in narrative terms - just as the confidence man did - as something subjective and personal that continually shapes reality, rather than a set of static, unchanging facts. In subsequent chapters Evans offers detailed interpretations of three of Faulkner's most important novels, Absalom, Absalom!, Go Down, Moses, and The Hamlet, revealing that Faulkner, too, saw truth as fluid. By avoiding conclusion and finality, these three novels embody the pragmatic belief that life and the world are unstable and constantly evolving. Absalom, Absalom! stages a conflict of historical discourses that - much like the pragmatic concept of truth - can never be ultimately resolved. Evans shows us how Faulkner explores the conventional and arbitrary status of racial identity in Go Down, Moses, in a way that is strikingly similar to James's criticism of the concept of identity in general. Finally, Evans reads The Hamlet, a work that is often used to support the idea that Faulkner is opposed to modernity, as a depiction of a distinctly pragmatic and modern world. With its creative coupling of James's philosophy and Faulkner's art, Evans's lively, engaging book makes a bold contribution to Faulkner studies and studies of southern literature.

Full Product Details

Author:   David H. Evans
Publisher:   Louisiana State University Press
Imprint:   Louisiana State University Press
Dimensions:   Width: 16.20cm , Height: 2.50cm , Length: 23.00cm
Weight:   0.333kg
ISBN:  

9780807133156


ISBN 10:   0807133159
Pages:   304
Publication Date:   30 May 2008
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Awaiting stock   Availability explained
The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you.

Table of Contents

Reviews

"""Evans' book is a valuable contribution to American studies that places Faulkner's writing into a pragmatic tradition that has been present in American literature since the Colonial period."" -- Journal of American Studies Association of Texas"


Evans' book is a valuable contribution to American studies that places Faulkner's writing into a pragmatic tradition that has been present in American literature since the Colonial period. -- Journal of American Studies Association of Texas


""Evans' book is a valuable contribution to American studies that places Faulkner's writing into a pragmatic tradition that has been present in American literature since the Colonial period."" -- Journal of American Studies Association of Texas


Author Information

David H. Evans is an associate professor of American literature at Dalhousie University in Nova Scotia. His work has appeared in Mississippi Quarterly, Cambridge Quarterly, Arizona Quarterly, and elsewhere.

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