Overview

""We haven't even made it to breakfast!"" was a phrase often used by composer Maryanne Amacher (1938-2009) to shorthand her critical and partial approach to knowledge production across the vast artistic, technical, and scientific discourses with which she worked. The same could be said about her own musical thought, which encompassed original presentational formats in existing and speculative media and approaches to sound and listening that conjoined real and imagined social worlds. Wild Sound: Maryanne Amacher and the Tenses of Audible Life discerns meeting points between frameworks for life that emerged from Amacher's multidisciplinary study of sound and listening: within acoustical spectra, inside human bodies and ears, across cities and edgleands, hypothetical creatures and virtual, fictive or distanciated environments. These figurations guide interpretative study of six signal projects: Adjacencies (1965/1966); City-Links (1967-1988); Additional Tones (1976 / 1988), Music for Sound-Joined Rooms (1980), Mini Sound Series (1985) and Intelligent Life (1980s) and countless sketches, notes and unrealized projects. Author Amy Cimini explores Amacher's working methods with an interpretive style that emphasizes technical study, conceptual juxtaposition, intertextual play, and narrative transport.

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9780190060893

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Cimini locates in Amacher's world of musical creation a nascent techno-feminist theory of embodiment; this theory is a goad to imagine the world otherwise. Wild Sound will set a new high standard for emerging waves of scholarship at the intersection of late-twentieth-century experimentalism, global political economy, and feminist theories of power. * Brigid Cohen, Associate Professor, New York University * Amy Cimini's Wild Sound is the first comprehensive study of the work of Marianne Amacher, whose stature continues to rise in both artistic and musical realms. Through detailed analyses and archival research, Cimini reveals Amacher's prescient engagement with the media frameworks, technoscientific dictates, and biopolitical dynamics that continue to determine our contemporary moment. * Branden W. Joseph, author of Experimentations: John Cage in Music, Art, and Architecture *

Amy Cimini's Wild Sound is the first comprehensive study of the work of Marianne Amacher, whose stature continues to rise in both artistic and musical realms. Through detailed analyses and archival research, Cimini reveals Amacher's prescient engagement with the media frameworks, technoscientific dictates, and biopolitical dynamics that continue to determine our contemporary moment. * Branden W. Joseph, author of Experimentations: John Cage in Music, Art, and Architecture * Cimini locates in Amacher's world of musical creation a nascent techno-feminist theory of embodiment; this theory is a goad to imagine the world otherwise. Wild Sound will set a new high standard for emerging waves of scholarship at the intersection of late-twentieth-century experimentalism, global political economy, and feminist theories of power. * Brigid Cohen, Associate Professor, New York University *

Author Information

Amy Cimini is Assistant Professor of music at UC San Diego in the Integrative Studies Area. Her research, teaching and performance engage 20th century philosophy and political thought with an emphasis on embodiment and ethics in experimental practice. Dr. Cimini is co-editor of Maryanne Amacher: Selected Writings and Interviews (2021). She is also a violist who has recorded and toured extensively with experimental music ensembles and as a solo artist.

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