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OverviewGrowing up in the shadow of her superstar sister Beyonce, and defying an industry that attempted to bend her to its rigid image of a Black woman, Solange Knowles has become a pivotal musician and artist in her own right. In Why Solange Matters, Stephanie Phillips chronicles the creative journey of Solange, a beloved voice for the Black Lives Matter generation. A Black feminist punk musician herself, Phillips addresses not only the unpredictable trajectory of Solange's career but also how she and other Black women see themselves through the musician's repertoire. First, she traces Solange's progress through an inflexible industry, charting the artist's development up to 2016, when the release of her third album, A Seat at the Table, redefined her career. Then, with A Seat at the Table and 2019's When I Get Home, Phillips describes how Solange has embraced activism, anger, Black womanhood, and intergenerational trauma to inform her remarkable art. Why Solange Matters not only cements the subject in the pantheon of world changing twenty-first century musicians; it introduces its writer as an important new voice. Full Product DetailsAuthor: Stephanie PhillipsPublisher: Faber & Faber Imprint: Faber & Faber Edition: Main Dimensions: Width: 12.90cm , Height: 1.80cm , Length: 19.80cm Weight: 0.339kg ISBN: 9780571368983ISBN 10: 0571368980 Pages: 256 Publication Date: 06 May 2021 Audience: General/trade , College/higher education , Professional and scholarly , General , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: To order Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsReviews'Every once in a while, a musician comes along who so beautifully, so poignantly speaks that Black women remember that we are more than our vulnerability. In Why Solange Matters, Stephanie Phillips gracefully positions Solange amongst that elite cohort. From Houston to London and many places in between, Phillips presses our ear to the street in order to reveal how Solange broke the mold and released us all.' - Shana Redmond, author of EVERYTHING MAN: THE FORM AND FUNCTION OF PAUL ROBESON Author InformationStephanie Philips is a London-based music journalist and musician who writes for The Quietus, She Shreds, Noisey, Bandcamp, and The Wire. She started the Black feminist punk band Big Joanie and played backup for Bikini Kill and Sleater-Kinney. She is also part of the collective behind Decolonise Fest, a festival celebrating punks of colour. Tab Content 6Author Website:Countries AvailableAll regions |
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