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OverviewMost artists earn very little, and yet there is no shortage of young people aspiring to to the field. It's widely believed that these individuals are selflessly dedicated to art, or that price does not reflect aesthetic quality, or that the arts are ""free"". But how much of this is true? This unconventional multidisciplinary analysis explains the exceptional economy of the arts - an economy that operates successfully in the marketplace but has more natural affinities with gift giving than commercial exchange. Full Product DetailsAuthor: Hans AbbingPublisher: Amsterdam University Press Imprint: Amsterdam University Press Dimensions: Width: 16.00cm , Height: 1.90cm , Length: 24.00cm Weight: 0.650kg ISBN: 9789053565650ISBN 10: 9053565655 Pages: 368 Publication Date: 24 January 2008 Audience: Professional and scholarly , Adult education , Professional & Vocational , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Awaiting stock ![]() The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you. Table of ContentsTable of Contents - 6 Preface - 12 1 Sacred Art: Who Has the Power to Define Art? - 18 2 The Denial of the Economy: Why Are Gifts to the Arts Praised, While Market Incomes Remain Suspect? - 35 3 Economic Value Versus Aesthetic Value: Is There Any Financial Reward for Quality? - 53 4 The Selflessly Devoted Artist: Are Artists Reward-Oriented? - 79 5 Money for the Artist: Are Artists Just Ill-Informed Gamblers? - 104 6 Structural Poverty: Do Subsidies and Donations Increase Poverty? - 125 7 The Cost Disease: Do Rising Costs in the Arts Make Subsidization - 153 8 The Power and the Duty to Give: Why Give to the Arts? - 182 9 The Government Serves Art: Do Art Subsidies Serve the Public Interest - 204 10 Art Serves the Government: How Symbiotic Is the Relationship between Art - 233 11 Informal Barriers Structure the Arts: How Free or Monopolized Are the Arts? - 260 12 Conclusion: a Cruel Economy: Why Is the Exceptional Economy of the Arts - 281 Epilogue: the Future Economy of the Arts - 296 Notes - 312 Literature - 350 Index of Names - 362ReviewsAuthor InformationHans Abbing is a painter, a photographer and an economist. As an economist, he lectures at the Faculty of History and Arts at the Erasmus University in Rotterdam. Tab Content 6Author Website:Countries AvailableAll regions |