Overview

Copyright is everywhere. Your smartphone incorporates thousands of items of intellectual property. Someone owns the reproduction rights to photographs of your dining table. At this very moment, battles are raging over copyright in the output of artificial intelligence programs. Not only books but wallpaper, computer programs, pop songs, cartoon characters, snapshots, and cuddly toys are now deemed to be intellectual properties--making copyright a labyrinthine construction of laws with colorful and often baffling rationales covering almost all products of human creativity. It wasn't always so. Copyright has its roots in eighteenth-century London, where it was first established to limit printers' control of books. But a handful of little-noticed changes in the late twentieth century brought about a new enclosure of the cultural commons, concentrating ownership of immaterial goods in very few hands. Copyright's metastasis can't be understood without knowing its backstory, a long tangle of high ideals, low greed, opportunism, and word-mangling that allowed poems and novels (and now, even ringtones and databases) to be treated as if they were no different from farms and houses. Principled arguments against copyright arose from the start and nearly abolished it in the nineteenth century. Nonetheless, countless revisions have made copyright ever stronger.

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David Bellos, the Meredith Howland Pyne Professor of French and Comparative Literature at Princeton University, is an award-winning translator and biographer and the author of Is That a Fish in Your Ear? and The Novel of the Century. He lives in Princeton, New Jersey. David Bellos, the Meredith Howland Pyne Professor of French and Comparative Literature at Princeton University, is an award-winning translator and biographer and the author of Is That a Fish in Your Ear? and The Novel of the Century. He lives in Princeton, New Jersey. Alexandre Montagu is a practicing lawyer and the founding partner of MontaguLaw, which focuses on intellectual property law, international commercial transactions, and new media commercial and corporate law. He lives in London.

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