Overview

Walt Whitman's now-famous maxim about containing the multitudes has often been understood as a metaphor for the democratizing impulses of the young American nation. But did these impulses extend across the color line? Early in his career, especially in the manuscripts leading up to the first edition of Leaves of Grass, the poet espoused a rather progressive outlook on race relations within the United States. However, as time passed, he steered away from issues of race and blackness altogether. These changing depictions and representations of African Americans in the poetic space of Leaves of Grass and Whitman's other writings complicate his attempts to fully contain all of America's subject-citizens within the national imaginary. As alluring as containing the multitudes might prove to be, African American poets and writers have been equally vexed by and attracted to Whitman's acknowledgment of the promise and contradictions of the United States and their place within it. Whitman Noir: Black America and the Good Gray Poet explores the meaning of blacks and blackness in Whitman's imagination and, equally significant, also illuminates the aura of Whitman in African American letters from Langston Hughes to June Jordan, Margaret Walker to Yusef Komunyakaa. The essays, which feature academic scholars and poets alike, address questions of literary history, the textual interplay between author and narrator, and race and poetic influence. The volume as a whole reveals the mutual engagement with a matrix of shared ideas, contradictions, and languages to expose how Whitman influenced African American literary production as well as how African American Studies brings to bear new questions and concerns for evaluating Whitman.

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9781609382629

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Offering groundbreaking scholarship and intensely personal reflections, Whitman Noir demonstrates how the poet's treatment of race in America troubled and inspired later generations of readers and poets, and continues to do so today. This timely collection explores Whitman's shifting representations of African Americans in his poetry and prose, revealing the ways that his writings--and erasures--reflect a nation both transformed and stubbornly unchanged by the Civil War. --Martin T. Buinicki, author, Walt Whitman's Reconstruction: Poetry and Publishing between Memory and History

Author Information

Ivy G. Wilson is an associate professor of English and the director of the Program in American Studies at Northwestern University, where he teaches courses on the comparative literatures of the black diaspora with a particular emphasis on African American culture. He is the author of Specters of Democracy: Blackness and the Aesthetics of Politics in the Antebellum U.S., the editor of At the Dusk of Dawn: Selected Poetry and Prose of Albery Allson Whitman, and the coeditor of The Works of James M. Whitfield: America and Other Writings by a Nineteenth-Century African American Poet. He lives in Chicago.

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