Overview

In the early 1890s, black performer Bob Cole turned blackface minstrelsy on its head with his nationally recognized whiteface creation, a character he called Willie Wayside. Just over a century later, hiphop star Busta Rhymes performed a whiteface supercop in his hit music video """"Dangerous."""" In this sweeping work, Marvin McAllister explores the enduring tradition of """"whiting up,"""" in which African American actors, comics, musicians, and even everyday people have studied and assumed white racial identities. Not to be confused with racial """"passing"""" or derogatory notions of """"acting white,"""" whiting up is a deliberate performance strategy designed to challenge America's racial and political hierarchies by transferring supposed markers of whiteness to black bodies--creating unexpected intercultural alliances even as it sharply critiques racial stereotypes. Along with conventional theater, McAllister considers a variety of other live performance modes, including weekly promenading rituals, antebellum cakewalks, solo performance, and standup comedy. For over three centuries, whiting up as allowed African American artists to appropriate white cultural production, fashion new black identities through these """"white"""" forms, and advance our collective ability to locate ourselves in others. |McAllister explores the enduring tradition of """"whiting up,"""" in which African American actors, comics, musicians, and even everyday people have studied and assumed white racial identities. For over three centuries, whiting up has allowed African American artists to appropriate white cultural production, fashion new black identities through these """"white"""" forms, and advance our collective ability to locate ourselves in others.

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Reviews

Discusses a fascinating and understudied segment of race in America. . . . Adds a welcome layer of complexity.-- H-South

Discusses a fascinating and understudied segment of race in America. . . . Adds a welcome layer of complexity. <br>- H-South

A compelling and highly readable study that makes a valuable contribution to our understanding of racial identity in American popular entertainment. - Journal of American Studies

Whiting Up . . . interrogates the many contributions of African Americans to popular American entertainment. <br>- Journal of American History

Discusses a fascinating and understudied segment of race in America. . . . Adds a welcome layer of complexity.--H-South The first full-length study of a heretofore slighted, largely ignored subversive performative phenomenon. . . . Highly recommended. All readers.--Choice A compelling and highly readable study that makes a valuable contribution to our understanding of racial identity in American popular entertainment.--Journal of American Studies Whiting Up . . . interrogates the many contributions of African Americans to popular American entertainment.--Journal of American History

The first full-length study of a heretofore slighted, largely ignored subversive performative phenomenon....Highly recommended. All readers. <br>- Choice

Author Information

Marvin McAllister is assistant professor of English at the University of South Carolina and author of White People Do Not Know How to Behave at Entertainments Designed for Ladies and Gentlemen of Colour: William Brown's African and American Theater. He has worked as a dramaturg for theaters in Chicago, the District of Columbia, and Seattle.

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