Overview

This book builds on the works of Artaud and Deleuze, setting forth a different way of thinking on the body through the use of a whole new set of conceptual tools.  Paić argues that the human body has become obsolete in relation to the development of cybernetics and artificial intelligence, proposing that it can be understood neither as a bare thing nor a machine, but instead as an event. The concept of White Holes serves both as a metaphor and as a guide for understanding constellations such as the visualization of the body, the corporeal turn, fascination with the digital image, and the technosphere. Through visualization of the body, we reach out to a space of singularity of thought that is not a description of reality, but rather its aesthetic construction.  Leading a paradigm shift after the end of metaphysics in cybernetics, Paić argues that phenomenology and psychoanalysis can no longer be credible theoretical orientations for deep insight into what happens when artificial life takes over what remains of the body's immanence.

Full Product Details

Author:   Žarko Paić
Publisher:   Springer Nature Switzerland AG
Imprint:   Springer Nature Switzerland AG
Edition:   1st ed. 2019
Weight:   0.454kg
ISBN:  

9783030144661

ISBN 10:   3030144666
Pages:   194
Publication Date:   14 May 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
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Table of Contents

1. Introduction.- 1.1. Corporeal turn.- 1.2. The uncanny event.- 1.3. Objects and things.- 1.4. Conclusion.- 2. The Return to the Body.- 2.1. introduction.- 2.2. Merleau-Ponty- phenomenology of the body.- 2.3. Conclusion.- 3. The New Theory of Subject.- 3.1. Introduction.- 3.2. Lacan's psychoanalysis.- 3.3. Artaud and the theatre of cruelty.- 3.4. The second death of culture or the end of psychoanalysis.- 3.5. Conclusion.- 4. Anti-philosophy of Immanence.- 4.1. Introduction.- 4.2. Deleuze and body as a desiring machine.- 4.3. Conclusion.- 5. Life as a Biopolitical Machine.- 5.1. Introduction.- 5.2. Turn prospects.- 5.3. Conclusion.- 6. Event and Difference: Performative-Conceptual Turn of Contemporary Art.- 6.1. Introduction.- 6.2. Time without Words?.- 6.3. The meaning of Duchamp's transformations.- 6.4. Mediality as a projection.- 6.5. Conclusion.- 7. Conclusion.

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Author Information

Žarko Paić is a Professor at the University of Zagreb, where he teaches courses in Aesthetics and Media Theory. He publishes frequently in philosophy, social sciences and art theory. His publications include Theorizing Images, eds. with Krešimir Purgar (2016), and Technosphere Vol. 1-5 (2018-2019).

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