Overview

Nora Murphy tellsthe story of her ancestors' maple grove that, long before the Irish arrived,was home to three Native tribes: the Dakota, Ojibwe, and Ho-Chunk. That herdispossessed ancestors' homestead was built upon another, far more brutaldispossession is the hard truth underlying Murphy's search for the deeperconnections between this contested land and the communities who call it home.

Full Product Details

9781517901325

Table of Contents

Reviews

<i>White Birch, Red Hawthorn</i> is not only educational, with the stories of the struggles that have been inflicted on American Indians, but also an inspirational story of Nora Murphy s path to discover her Irish ancestry. Mary LaGarde, Executive Director, Minneapolis American Indian Center</p> Writing with unflinching honesty and a willingness to take responsibility for her family s legacy, Nora Murphy explores the origins of white, European dominion in this country. She blends acute observations, poignant anecdotes, and research, providing a road map for descendants of immigrant families looking for a deeper relationship with their own culture. Diane Wilson, Executive Co-director, Dream of Wild Health, and author of <i>Spirit Car</i></p> With <i>White Birch, Red Hawthorn</i>, Nora Murphy displays incredible bravery she asks hard questions and points out the elephant in the room. She creates language to say the things left unsaid. Wambdi Wapaha, Sioux Valley Dakota Nation</p> Nora Murphy sees something that, for whatever reason, most Americans don t see that there is another way to see and be on this continent. We live with a paradigm of separation that is doing us damage. This needs to be said and it needs to be heard. It also needs to be heard from a woman s voice. Nora s is that voice because it is obvious she has the insight, the intellect, and the direct experience. Kent Nerburn, author of <i>The Girl Who Sang to the Buffalo</i> and <i>Neither Wolf Nor Dog</i></p> Nora Murphy defines her work as cultural outsider: she listens, she doesn t try to fix anything, and she resists the urge to dominate. She has accomplished the difficult task of writing <i>from</i> what she has learned of people unlike herself, not <i>about</i> them. Harder still, she has learned to love another culture and yet understand it does not belong to her. Heid Erdrich, author of <i>Original Local: Indigenous Foods, Stories, and Recipes from the Upper Midwest</i></p>

White Birch, Red Hawthorn is not only educational, with the stories of the struggles that have been inflicted on American Indians, but also an inspirational story of Nora Murphy's path to discover her Irish ancestry. -Mary LaGarde, Executive Director, Minneapolis American Indian Center Writing with unflinching honesty and a willingness to take responsibility for her family's legacy, Nora Murphy explores the origins of white, European dominion in this country. She blends acute observations, poignant anecdotes, and research, providing a road map for descendants of immigrant families looking for a deeper relationship with their own culture. -Diane Wilson, Executive Co-director, Dream of Wild Health, and author of Spirit Car With White Birch, Red Hawthorn, Nora Murphy displays incredible bravery-she asks hard questions and points out the elephant in the room. She creates language to say the things left unsaid. -Wambdi Wapaha, Sioux Valley Dakota Nation Nora Murphy sees something that, for whatever reason, most Americans don't see-that there is another way to see and be on this continent. We live with a paradigm of separation that is doing us damage. This needs to be said and it needs to be heard. It also needs to be heard from a woman's voice. Nora's is that voice because it is obvious she has the insight, the intellect, and the direct experience. -Kent Nerburn, author of The Girl Who Sang to the Buffalo and Neither Wolf Nor Dog Nora Murphy defines her work as cultural outsider: she listens, she doesn't try to fix anything, and she resists the urge to dominate. She has accomplished the difficult task of writing from what she has learned of people unlike herself, not about them. Harder still, she has learned to love another culture and yet understand it does not belong to her. -Heid Erdrich, author of Original Local: Indigenous Foods, Stories, and Recipes from the Upper Midwest || How did her forebears come to own that stand of sugar maples in Stearns County? Who owned it before? What happened to them? Her questions started a quest that has occupied Murphy for 20 years and challenged all her assumptions about her place in this country. -Slate

-White Birch, Red Hawthorn is not only educational, with the stories of the struggles that have been inflicted on American Indians, but also an inspirational story of Nora Murphy's path to discover her Irish ancestry.---Mary LaGarde, Executive Director, Minneapolis American Indian Center-Writing with unflinching honesty and a willingness to take responsibility for her family's legacy, Nora Murphy explores the origins of white, European dominion in this country. She blends acute observations, poignant anecdotes, and research, providing a road map for descendants of immigrant families looking for a deeper relationship with their own culture.---Diane Wilson, Executive Co-director, Dream of Wild Health, and author of Spirit Car-With White Birch, Red Hawthorn, Nora Murphy displays incredible bravery--she asks hard questions and points out the elephant in the room. She creates language to say the things left unsaid.---Wambdi Wapaha, Sioux Valley Dakota Nation-Nora Murphy sees something that, for whatever reason, most Americans don't see--that there is another way to see and be on this continent. We live with a paradigm of separation that is doing us damage. This needs to be said and it needs to be heard. It also needs to be heard from a woman's voice. Nora's is that voice because it is obvious she has the insight, the intellect, and the direct experience.---Kent Nerburn, author of The Girl Who Sang to the Buffalo and Neither Wolf Nor Dog-Nora Murphy defines her work as cultural outsider: she listens, she doesn't try to fix anything, and she resists the urge to dominate. She has accomplished the difficult task of writing from what she has learned of people unlike herself, not about them. Harder still, she has learned to love another culture and yet understand it does not belong to her.---Heid Erdrich, author of Original Local: Indigenous Foods, Stories, and Recipes from the Upper Midwest

Author Information

Nora Murphy is a fifth-generation Irish Minnesotan. She was born and lives in Imnia Ska, the white cliffs overlooking the confluence of the Mississippi and Minnesota Rivers in St. Paul. She has worked and volunteered in the Native community since 1995 and has published five previous books-children's histories, short stories, and a memoir about women's textiles, Knitting the Threads of Time.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available