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9781479831869

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""An ambitious study, deftly grounded in a generous sampling of popular culture, influential figures of the era, historical scholarship, and his own experience, Henry Jenkins' magisterial Were the Wild Things Were invites us on a journey through the many permutations of the permissive imagination. What are you waiting for? Accept his invitation!"" * Philip Nel, author of Was the Cat in the Hat Black?: The Hidden Racism of Children's Literature, and the Need for Diverse Books * ""Impeccably researched; a significant and original contribution to our understanding of baby boom era childhood, and especially boyhood. One of Henry Jenkins’s greatest strengths is his ability to show concrete circuits of influence and exchange between childrearing experts and the popular fiction he analyzes. Considering biographies of writers, producers, illustrators, and animators as well as production histories of the texts he analyzes, Jenkins demonstrates the dynamic and reciprocal relations between intellectual and popular culture."" * Lynn Spigel, Northwestern University *

As the American vernacular art of comics cements its cultural and academic respectability, other areas of cultural studies are being brought to bear on the form. That project yields interesting and illuminating results in University of Southern California communications professor Henry Jenkins' new book, Comics and Stuff. * Reason Magazine * I cannot recommend this book more for those of us who love to study the medium that is comic books. This book needs to sit right next to Scott McCloud’s Understanding Comics and Will Eisner’s Comics and Sequential Art as a must have resource to truly understand all that comic books can be. ... Thanks to Henry Jenkins I also know I’m far from alone and feel like I understand myself better at the end of this book than I did before. * Masked Library * A major book from a major contemporary thinker. Comics and Stuff models a rigorous but supple interdisciplinarity that the hybrid form of comics itself inspires; its range is wide and enlivening. A lucid, brilliant, and important book. -- Hillary Chute, author of <i>Why Comics? From Underground to Everywhere</i> Jenkins examines graphic novels with regard to patterns and values in material culture. His broad view of 'stuff' encompasses possessions and objects and also cultural icons. ... Including color illustrations and extensive references, this compelling exploration of comics will inspire readers to think about stuff. * Choice * For nearly a century, comic books have been an integral part of ‘the stuff’ of our collective fantasies, both a wildly successful form of entertainment and a visual archive of our developing identities. In Henry Jenkins’s Comics and Stuff, one of our greatest cultural critics offers an expansive and exuberant study of the ways that contemporary comics and graphic novels document the material life of American culture, from collecting to artistic curation and hoarding to archiving. Jenkins introduces readers to aesthetically innovative, yet largely understudied, comics and graphic novels to show us how this enduring medium provides a visual map of our most cherished object worlds. -- Ramzi Fawaz, author of <i>The New Mutants: Superheroes and the Radical Imagination of American Comics</i> Jenkins characterizes comics as communicating a series of rituals and personal agendas ... His grasp of comics as a cornucopia of contemporary/past cultures is far reaching. * CHOICE *

"""As the American vernacular art of comics cements its cultural and academic respectability, other areas of cultural studies are being brought to bear on the form. That project yields interesting and illuminating results in University of Southern California communications professor Henry Jenkins' new book, Comics and Stuff."" * Reason Magazine * ""I cannot recommend this book more for those of us who love to study the medium that is comic books. This book needs to sit right next to Scott McCloud’s Understanding Comics and Will Eisner’s Comics and Sequential Art as a must have resource to truly understand all that comic books can be. ... Thanks to Henry Jenkins I also know I’m far from alone and feel like I understand myself better at the end of this book than I did before."" * Masked Library * ""A major book from a major contemporary thinker. Comics and Stuff models a rigorous but supple interdisciplinarity that the hybrid form of comics itself inspires; its range is wide and enlivening. A lucid, brilliant, and important book."" -- Hillary Chute, author of <i>Why Comics? From Underground to Everywhere</i> ""Jenkins examines graphic novels with regard to patterns and values in material culture. His broad view of 'stuff' encompasses possessions and objects and also cultural icons. ... Including color illustrations and extensive references, this compelling exploration of comics will inspire readers to think about stuff."" * Choice * ""For nearly a century, comic books have been an integral part of ‘the stuff’ of our collective fantasies, both a wildly successful form of entertainment and a visual archive of our developing identities. In Henry Jenkins’s Comics and Stuff, one of our greatest cultural critics offers an expansive and exuberant study of the ways that contemporary comics and graphic novels document the material life of American culture, from collecting to artistic curation and hoarding to archiving. Jenkins introduces readers to aesthetically innovative, yet largely understudied, comics and graphic novels to show us how this enduring medium provides a visual map of our most cherished object worlds."" -- Ramzi Fawaz, author of <i>The New Mutants: Superheroes and the Radical Imagination of American Comics</i> ""Jenkins characterizes comics as communicating a series of rituals and personal agendas ... His grasp of comics as a cornucopia of contemporary/past cultures is far reaching."" * CHOICE *"

Author Information

Henry Jenkins is Provost's Professor of Communication, Journalism, Cinematic Arts and Education at the University of Southern California. He is the author or coauthor of twenty books including Textual Poachers: Television Fans and Participatory Culture, Convergence Culture: Where Old and New Media Collide, Spreadable Media: Creating Value and Meaning in a Networked Culture, and By Any Media Necessary: The New Youth Activism.

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