Overview

Revised and updated to reflect recent Russian and Western scholarship on the subject, this new edition maintains the 1995 original's distinction as a crucial volume in the history of World War II and of the Soviet Union and the most informed and compelling perspective on one of the greatest military confrontations of all time. In 1941, when Pearl Harbor shattered America's peacetime pretensions, the German blitzkrieg had already blasted the Red Army back to Moscow. Yet, less than four years later, the Soviet hammer-and-sickle flew above the ruins of Berlin, stark symbol of a miraculous comeback that destroyed the Germany Army and put an end to Hitler's imperial designs. Drawing on the massive and unprecedented release of Soviet archival documents, David Glantz and noted military historian Jonathan House expand and elaborate our picture of the Soviet war effort. Rafts of newly available official directives, orders, and reports reveal the true nature and extraordinary scale of Soviet military operations as they swept across the one thousand miles from Moscow to Berlin, featuring stubborn defenses and monumental offensives and counteroffensives and ultimately costing the two sides combined a staggering twenty million casualties.

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Jonathan M. House is professor emeritus of Military History, U.S. Army Command and General Staff College and the author of Combined Arms Warfare in the Twentieth Century. David M. Glantz is the author of numerous books, including The Battle for Leningrad, 1941-1944; Colossus Reborn: The Red Army at War, and Red Storm over the Balkans: The Failed Soviet Invasion of Romania. He is a retired U. S. Army colonel and is fluent in Russian. James Romick considers voice-over the fourth or fifth phase of his forty-plus-year acting career, which includes nearly twenty-three years on Broadway. But never in his wildest imagination did he ever think that he would be recording and producing audiobooks at home in his den from a vocal booth that he designed and built himself, stocked with professional grade recording equipment and a spiffy DAW (Digital Audio Workstation) on his computer. Thus far, he has recorded and produced some seventy-plus audiobooks, with many more waiting in the queue. He also studied audio engineering in the late eighties at The Institute of Audio Research in NYC, when editing analog tape with a block and razor blades was still the norm. Digital recording, editing, and mastering is so much easier.

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