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OverviewDespite its long history of encounters with colonialism, slavery, and neocolonialism, Panama continues to be an under-researched site of African Diaspora identity, culture, and performance. To address this void, Renée Alexander Craft examines an Afro-Latin Carnival performance tradition called ""Congo"" as it is enacted in the town of Portobelo, Panama--the nexus of trade in the Spanish colonial world. In When the Devil Knocks: The Congo Tradition and the Politics of Blackness in Twentieth-Century Panama, Alexander Craft draws on over a decade of critical ethnographic research to argue that Congo traditions tell the story of cimarronaje, charting self-liberated Africans' triumph over enslavement, their parody of the Spanish Crown and Catholic Church, their central values of communalism and self-determination, and their hard-won victories toward national inclusion and belonging. When the Devil Knocks analyzes the Congo tradition as a dynamic cultural, ritual, and identity performance that tells an important story about a Black cultural past while continuing to create itself in a Black cultural present. This book examines ""Congo"" within the history of twentieth century Panamanian etnia negra culture, politics, and representation, including its circulation within the political economy of contemporary tourism. Full Product DetailsAuthor: Renée Alexander Craft , Renaee Alexander CraftPublisher: Ohio State University Press Imprint: Ohio State University Press Dimensions: Width: 15.80cm , Height: 2.10cm , Length: 23.50cm Weight: 0.485kg ISBN: 9780814212707ISBN 10: 0814212700 Pages: 288 Publication Date: 20 January 2015 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Available To Order We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsWhen the Devil Knocks traces genealogies of Congo performance traditions in Panamanian culture and folklore during 1903-2003. The author argues that the complexity of black identity in Panama is marked through polyvalent contexts of the Congo ancestral culture, the descendants of the cimarrones (runaway slaves who fiercely fought for their freedom during the Spanish colonial period). Alexander Craft's When the Devil Knocks is an original and compelling study that should appeal to those interested in performance studies, critical race studies, anthropology, and Latin American, US Latina/o, and Caribbean studies. --Alicia Arrizon, University of California-Riverside Author InformationRenée Alexander Craft is assistant professor in the Department of Communication Studies and Curriculum in Global Studies at the University of North Carolina at Chapel Hill. Tab Content 6Author Website:Countries AvailableAll regions |
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