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OverviewFull Product DetailsAuthor: Marlis SchweitzerPublisher: University of Pennsylvania Press Imprint: University of Pennsylvania Press Dimensions: Width: 15.20cm , Height: 2.20cm , Length: 22.90cm Weight: 0.628kg ISBN: 9780812241570ISBN 10: 0812241576 Pages: 320 Publication Date: 14 May 2009 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction Chapter 1. The Octopus and the Matinee Girl Chapter 2. The Department Store Theater and the Gendering of Consumption Chapter 3. The Cult of Clothes and the Performance of Class Chapter 4. Fashioning the Modern Woman Chapter 5. The Theatrical Fashion Show on Broadway and Sixth Avenue Epilogue Notes Index AcknowledgmentsReviews"""A rich and highly readable historical analysis of the relationship among Broadway theater, fashion, gender, and consumerism. Drawing on a wide range of primary sources, and interweaving scholarship on theater, department stores, fashion, and consumer culture more generally, Schweitzer demonstrates the motivations of the players who hoped to shape women's aspirations and consumer practices as well as the vast agency practiced by female consumers themselves. It is a story that was waiting to be told, and Schweitzer tells it in a meticulous and insightful way.""—American Historical Review ""When Broadway Was the Runway provides fresh insight into the relationship between consumer capitalism and the theater, department store, and fashion industries and sheds new light on the dramatically shifting configurations of gender, beauty, and the self in the twentieth century. A great accomplishment!""—Nan Enstad, author of Ladies of Labor, Girls of Adventure" A rich and highly readable historical analysis of the relationship among Broadway theater, fashion, gender, and consumerism. Drawing on a wide range of primary sources, and interweaving scholarship on theater, department stores, fashion, and consumer culture more generally, Schweitzer demonstrates the motivations of the players who hoped to shape women's aspirations and consumer practices as well as the vast agency practiced by female consumers themselves. It is a story that was waiting to be told, and Schweitzer tells it in a meticulous and insightful way. -American Historical Review When Broadway Was the Runway provides fresh insight into the relationship between consumer capitalism and the theater, department store, and fashion industries and sheds new light on the dramatically shifting configurations of gender, beauty, and the self in the twentieth century. A great accomplishment! -Nan Enstad, author of Ladies of Labor, Girls of Adventure When Broadway Was the Runway provides fresh insight into the relationship between consumer capitalism and the theater, department store, and fashion industries and sheds new light on the dramatically shifting configurations of gender, beauty, and the self in the twentieth century. A great accomplishment! -Nan Enstad, author of Ladies of Labor, Girls of Adventure Author InformationMarlis Schweitzer teaches in the Department of Theatre at York University. Tab Content 6Author Website:Countries AvailableAll regions |