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9781619029118

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Her supple prose is infused by warmth, tenderness and ebullience . . . An uplifting story. --Amanda Craig, <i>The Observer</i> Lappin presents a thoughtful migrant's memoir that will speak to all those of us who find their lives suspended between nations, cultures, languages; between past and present selves; between rival identities and loyalties; to all those who live with a hyphen at the centre of their life stories. Which is to say, to nearly everyone. - Dan Vyleta, Giller Prize-shortlisted author of <i>The Crooked Maid</i> and the national bestseller <i>Smoke</i> This beautiful exploration of what it means to be European in the 21st century has never been more necessary. In characteristically elegant prose, Lappin takes readers on a brave personal journey as she uncovers painful family secrets set against a backdrop of political cruelty and perpetual motion. Her warmth, humanity and above all understanding of the need for communication shimmer throughout, making this a book full of optimism, deeply resonant with today's world of global dislocation. --Anne Sebba, author of <i>Les Parisiennes</i> Elena Lappin can absorb new languages like a sponge absorbing water: a useful gift, since a life begun in Russia soon swept her from country to country, and she could live comfortably in each of them. But in which could she go that one step further, and find her true self as the writer she knew herself to be? This book is her story of her search for that special language. It is a captivating book, so sparkly with vitality, humour and genuine charm that English readers have to love it--and feel lucky. Because the language Lappin finally homed in on is theirs! -Diana Athill, author of <i>After a Funeral</i>, and <i>Somewhere Towards the End</i> This intriguing memoir throws a unique light on the fortunes of a young woman - her travels, her cultural inheritance and, most of all, her languages. Elena Lappin's tale is an archetype of post-war political upheaval, her travels and migrations a reflection of world events. But it is also an extraordinarily personal account of a modern life that is uniquely Jewish...the tree roots of [Lappin's] memory remembered from childhood and captured here in her remarkable memoir. --The <i>Jewish Chronicle</i> Elena Lappin is a marvelous writer. Her riveting memoir describes living in five languages and as many countries. The family relationships and the political upheavals which so often shape them are complex, yet her writing is as readable and warm as a letter from a friend. --Vesna Goldsworthy, author of <i>Gorsky</i>

<b>Praise for <i>What Language Do I Dream In?</i></b> Her supple prose is infused by warmth, tenderness and ebullience . . . An uplifting story. --Amanda Craig, <i>The Observer</i> Lappin presents a thoughtful migrant's memoir that will speak to all those of us who find their lives suspended between nations, cultures, languages; between past and present selves; between rival identities and loyalties; to all those who live with a hyphen at the centre of their life stories. Which is to say, to nearly everyone. --Dan Vyleta, Giller Prize-shortlisted author of <i>The Crooked Maid</i> and the national bestseller <i>Smoke</i> This beautiful exploration of what it means to be European in the 21st century has never been more necessary. In characteristically elegant prose, Lappin takes readers on a brave personal journey as she uncovers painful family secrets set against a backdrop of political cruelty and perpetual motion. Her warmth, humanity and above all understanding of the need for communication shimmer throughout, making this a book full of optimism, deeply resonant with today's world of global dislocation. --Anne Sebba, author of <i>Les Parisiennes</i> Elena Lappin can absorb new languages like a sponge absorbing water: a useful gift, since a life begun in Russia soon swept her from country to country, and she could live comfortably in each of them. But in which could she go that one step further, and find her true self as the writer she knew herself to be? This book is her story of her search for that special language. It is a captivating book, so sparkly with vitality, humour and genuine charm that English readers have to love it--and feel lucky. Because the language Lappin finally homed in on is theirs! --Diana Athill, author of <i>After a Funeral</i>, and <i>Somewhere Towards the End</i> This intriguing memoir throws a unique light on the fortunes of a young woman--her travels, her cultural inheritance and, most of all, her languages. Elena Lappin's tale is an archetype of post-war political upheaval, her travels and migrations a reflection of world events. But it is also an extraordinarily personal account of a modern life that is uniquely Jewish...the tree roots of [Lappin's] memory remembered from childhood and captured here in her remarkable memoir. --<i>Jewish Chronicle</i> Lappin's work is full of warmth, wise, full of comic anecdotes. It's a history of her family as much as her own memoir, going back multiple generations and projecting forward into the future. --<i>Cherwell</i> Elena Lappin is a marvelous writer. Her riveting memoir describes living in five languages and as many countries. The family relationships and the political upheavals which so often shape them are complex, yet her writing is as readable and warm as a letter from a friend. --Vesna Goldsworthy, author of <i>Gorsky</i>

Elena Lappin can absorb new languages like a sponge absorbing water: a useful gift, since a life begun in Russia soon swept her from country to country, and she could live comfortably in each of them. But in which could she go that one step further, and find her true self as the writer she knew herself to be? This book is her story of her search for that special language. It is a captivating book, so sparkly with vitality, humour and genuine charm that English readers have to love itand feel lucky. Because the language Lappin finally homed in on is theirs! Diana Athill, author of After a Funeral, and Somewhere Towards the End This intriguing memoir throws a unique light on the fortunes of a young woman - her travels, her cultural inheritance and, most of all, her languages. Elena Lappin's tale is an archetype of post-war political upheaval, her travels and migrations a reflection of world events. But it is also an extraordinarily personal account of a modern life that is uniquely Jewish...the tree roots of [Lappin's] memory remembered from childhood and captured here in her remarkable memoir. The Jewish Chronicle

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Elena Lappin is a writer and editor. Born in Moscow, she grew up in Prague and Hamburg, and has lived in Israel, Canada, the United States and — longer than anywhere else — in London. She is the author of Foreign Brides and The Nose, and has contributed to numerous publications, including Granta, Prospect, the Guardian, and The New York Times Book Review.

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