What Is an Image?

Author:   James Elkins ,  Maja Naef
Publisher:   Pennsylvania State University Press
Volume:   2
ISBN:  

9780271050652


Pages:   296
Publication Date:   15 November 2012
Format:   Paperback
Availability:   Out of stock   Availability explained
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What Is an Image?


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Full Product Details

Author:   James Elkins ,  Maja Naef
Publisher:   Pennsylvania State University Press
Imprint:   Pennsylvania State University Press
Volume:   2
Dimensions:   Width: 17.80cm , Height: 2.10cm , Length: 25.40cm
Weight:   0.544kg
ISBN:  

9780271050652


ISBN 10:   0271050659
Pages:   296
Publication Date:   15 November 2012
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Contents Series Preface Introduction James Elkins The Seminars 1 How Many Theories of Images Are There? 2 What Is Outside Images 3 Accounts of Images, and Accounts That Begin from Images 4 Ontology 5 Non-Western Accounts 6 Public and Private 7 Religion, Ritual, the Sacred 8 Painting and Images 9 Image, Notation, Graph . . . Assessments Preface James Elkins Frederick M. Asher Michael Ann Holly Adrian Rifkin Frank Vigneron Keith Moxey Harry Cooper Parul Dave Mukherji Thomas Baumeister Vivian Sobchack Alex Potts Kavita Singh Paul Messaris Emmanuel Alloa Aud Sissel Hoel Ellen Chow Xaq Pitkow Crispin Sartwell Klaus Speidel Antonia Pocock Paul Willemarck Ruth Sonderegger Thomas Macho and Jasmin Mersmann Ciarán Benson Christoph Lüthy Sebastian Egenhofer Irmgard Emmelhainz Ladislav Kesner John Michael Krois Karin Leonhard Francesco Peri Frederik Stjernfelt Rainer Totzke Michael Zimmermann Sunil Manghani Klaus Sachs-Hombach José Luis Brea Afterword Wolfram Pichler Notes on the Contributors Index

Reviews

What Is an Image? offers a richly informative, wide-ranging, and open-ended ensemble of ideas and viewpoints that significantly advances the scholarly conversation. One of the great virtues of the volume is that it breaks with the standardized format of much academic writing to allow the coexistence of a plurality of voices and opinions. The reader is allowed to 'listen in' on a discussion that takes place at the cutting edge of current research and thereby gains a clear overview of the issues at stake in reconceptualizing the image. --Jason Gaiger, The University of Oxford What Is an Image? is bursting with incisive debate and suggestive commentary about the nature, diversity, and peculiarity of images, ranging from brief remarks to focused critiques to a sustained analytic afterword. In navigating the thicket of past and contemporary image theory, it juxtaposes an astonishing range of views--sometimes compatible, sometimes contradictory, always distinctive. But it never loses sight of core concerns, and it productively reopens and reorients some of the most challenging questions about our reception and representation of the visible world. --Whitney Davis, University of California at Berkeley


<em>What Is an Image? </em>is bursting with incisive debate and suggestive commentary about the nature, diversity, and peculiarity of images, ranging from brief remarks to focused critiques to a sustained analytic afterword. In navigating the thicket of past and contemporary image theory, it juxtaposes an astonishing range of views sometimes compatible, sometimes contradictory, always distinctive. But it never loses sight of core concerns, and it productively reopens and reorients some of the most challenging questions about our reception and representation of the visible world. </p> Whitney Davis, University of California at Berkeley</p>


What Is an Image? offers a richly informative, wide-ranging, and open-ended ensemble of ideas and viewpoints that significantly advances the scholarly conversation. One of the great virtues of the volume is that it breaks with the standardized format of much academic writing to allow the coexistence of a plurality of voices and opinions. The reader is allowed to listen in on a discussion that takes place at the cutting edge of current research and thereby gains a clear overview of the issues at stake in reconceptualizing the image. Jason Gaiger, The University of Oxford


Author Information

James Elkins is Associate Professor in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago. Maja Naef is an art historian and art critic based in Basel, Switzerland.

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