Weaving Europe, Crafting the Museum: Textiles, history and ethnography at the Museum of European Cultures, Berlin

Author:   Magdalena Buchczyk (CARMAH, Humboldt University, Berlin, Germany)
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781350226777


Pages:   240
Publication Date:   28 November 2024
Format:   Paperback
Availability:   Manufactured on demand   Availability explained


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Weaving Europe, Crafting the Museum: Textiles, history and ethnography at the Museum of European Cultures, Berlin


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Overview

Weaving Europe, Crafting the Museum delves into the history and the changing material culture in Europe through the stories of a basket, a carpet, a waistcoat, a uniform, and a dress. The focus on the objects from the collection of the Museum of European Cultures in Berlin offers an innovative and challenging way of understanding textile culture and museums. The book shows that textiles can be simultaneously used as the material object of research, and as a lens through which we can view museums. In doing so, the book fills a major gap by placing textile knowledge back into the museum. Each chapter focuses on one object story and can be read individually. Swooping from 19th-century wax figure cabinets, Nazi-era collections, Cold War exhibitions in East and West Berlin, and institutional reshuffling after German unification, it reveals the dramatically changing story of the museum and its collection. Based on research with museum curators, makers and users of the textiles in Italy and Germany, Poland and Romania, the book provides intimate insights into how objects are mobilised to very different social and political effects. It sheds new light on movements across borders, political uses of textiles by fascist and communist regimes, the objects’ fall into oblivion, as well as their heritage and tourist afterlives. Addressing this complex museum legacy, the book suggests new pathways to prefigure the future. Featuring new archival and ethnographic research, evocative examples and images, it is an essential read for students of textile and material culture, museum and curatorial studies as well as anyone interested in history, heritage and craft.

Full Product Details

Author:   Magdalena Buchczyk (CARMAH, Humboldt University, Berlin, Germany)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Bloomsbury Visual Arts
Dimensions:   Width: 15.60cm , Height: 2.50cm , Length: 23.40cm
Weight:   0.454kg
ISBN:  

9781350226777


ISBN 10:   1350226777
Pages:   240
Publication Date:   28 November 2024
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Forthcoming
Availability:   Manufactured on demand   Availability explained

Table of Contents

List of Figures Acknowledgements Abbreviations Introduction Textiles beyond the folkloric Fieldwork trajectory Textural ethnography The problem of crafting collections Outline of the book 1. Sample collection: Dreams and archives Encounter A place for the museum Textile archives World stage Conclusion 2. Carpets: Knotted histories, recurrent patterns Nationalist folklore School and museum Regained Territories Post-war reconstruction Truly Polish craft Scraps Recurrent patterns Conclusion 3. Woven basket: Untethered art Trader in exotica Survivors Waiting Thread On demand Valuing work Stubborn survival 4. Waistcoat: Colour and Cold War Language island Go West Perforating the Iron Curtain? Vestige Conclusion 5. Cook’s uniform: Refashioning the social fabric Renewal Reorientation Blue-collar museum House ghosts Costume/fashion Conclusion Conclusion: From unification to prefiguration Collection reconceptualized Other futures Prefigurative acquisition Conclusion Bibliography Index

Reviews

The idea that museums are not neutral spaces, and debates around decolonization, are central to current discussions about museums and cultural heritage in Europe, but the emphasis is generally on collections relating to the non-Western world. Weaving Europe, Crafting the Museum reminds us that we also need to consider how European and folk collections have been used in the past to ‘other’ particular communities or unite them against supposed ‘others’, and therefore how we engage with and display such collections in the future. * Folk Life: Journal of Ethnological Studies * Complex, enriching and beautifully written, Weaving Europe, Crafting the Museum is a key, interdisciplinary text composed of compelling stories, distinctive case studies and unique archival materials, entwined with textiles as carriers of meaning, migration and politics. * Janis Jefferies, Goldsmiths, University of London, UK * A pioneering effort of museum studies craftwork that weaves together Europe’s West and East and its histories of colonialism, nazism and socialism; disentangles shifting notions of ‘folk culture’; and highlights the challenging task faced by curators inheriting ambivalent historical collections. * Erica Lehrer, Concordia University, Canada * Weaves together a fascinating series of textile stories, narrated through the woven fabrics housed in German ethnographic collections … This book expands our understanding of museums, collections and materiality, and will definitely appeal to a wide range of scholars, including anthropologists, museum curators and textile historians. * Graeme Were, University of Bristol, UK *


"""Complex, enriching and beautifully written, Weaving Europe, Crafting the Museum is a key, interdisciplinary text composed of compelling stories, distinctive case studies and unique archival materials, entwined with textiles as carriers of meaning, migration and politics."" --Janis Jefferies, Goldsmiths, University of London, UK ""A pioneering effort of museum studies craftwork that weaves together Europe's West and East and its histories of colonialism, nazism and socialism; disentangles shifting notions of 'folk culture'; and highlights the challenging task faced by curators inheriting ambivalent historical collections."" --Erica Lehrer, Concordia University, Canada ""Weaves together a fascinating series of textile stories, narrated through the woven fabrics housed in German ethnographic collections ... This book expands our understanding of museums, collections and materiality, and will definitely appeal to a wide range of scholars, including anthropologists, museum curators and textile historians."" --Graeme Were, University of Bristol, UK"


Complex, enriching and beautifully written, Weaving Europe, Crafting the Museum is a key, interdisciplinary text composed of compelling stories, distinctive case studies and unique archival materials, entwined with textiles as carriers of meaning, migration and politics. * Janis Jefferies, Goldsmiths, University of London, UK * A pioneering effort of museum studies craftwork that weaves together Europe’s West and East and its histories of colonialism, nazism and socialism; disentangles shifting notions of ‘folk culture’; and highlights the challenging task faced by curators inheriting ambivalent historical collections. * Erica Lehrer, Concordia University, Canada * Weaves together a fascinating series of textile stories, narrated through the woven fabrics housed in German ethnographic collections … This book expands our understanding of museums, collections and materiality, and will definitely appeal to a wide range of scholars, including anthropologists, museum curators and textile historians. * Graeme Were, University of Bristol, UK *


Author Information

Magdalena Buchczyk is a Junior Professor in Social Anthropology of Cultural Expressions at the Humboldt-Universität zu Berlin, Germany. She conducts ethnographic research on collections, material culture and intangible heritage. Publications include articles in Museum Anthropology, International Journal of Heritage Studies, Journal of Museum Ethnography and Textile: Journal of Cloth and Culture.

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