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9781529317251

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Starritt's prose is riveting. It unspools like a roll of film-raw, visceral, and propulsive, rich with sensory detail and unsparing in its depictions of cruelty . . . We Germans feels eerily timely . . . Starritt's daring work challenges us to lay bare our histories, to seek answers from the past, and to be open to perspectives starkly different from our own * New York Times * [A] thoughtful, unsettling chronicle . . . a fascinatingly enigmatic addition to the literature of Germany's coming to terms with the past * Publishers Weekly * A stirring work that reads like a developing photograph, the lines slowly clarifying, the light steadily emerging from the dark . . . an unflinching reckoning with guilt, accountability and shame and a tender portrayal of the weight of memory carried through the generations * TLS * Daringly, in what is only his second novel, Alexander Starritt climbs into the skin of one of the most appalling archetypes of the 20th century: a Nazi soldier as he marauds across eastern Europe during the second world war * Financial Times * This may be only his second novel, but Alexander Starritt is already showing striking signs of ambition ... a visceral examination of guilt, collective and individual, centred on a small group of bedraggled German soldiers on the eastern front . . . individual episodes are vividly done, and the book has a gritty realism. Its arguments about the equivocal nature of guilt on the battlefield can be arresting * The Times * A remarkable and audacious novel that is harrowingly real and, at the same time, asks the most searching questions about men at war * William Boyd * An impressively realistic novel of German soldiers on the eastern front, raising the fundamental questions of individual and collective guilt * Antony Beevor *

An impressively realistic novel of German soldiers on the eastern front, raising the fundamental questions of individual and collective guilt * Antony Beevor * A remarkable and audacious novel that is harrowingly real and, at the same time, asks the most searching questions about men at war * William Boyd * This may be only his second novel, but Alexander Starritt is already showing striking signs of ambition ... a visceral examination of guilt, collective and individual, centred on a small group of bedraggled German soldiers on the eastern front . . . individual episodes are vividly done, and the book has a gritty realism. Its arguments about the equivocal nature of guilt on the battlefield can be arresting * The Times * Daringly, in what is only his second novel, Alexander Starritt climbs into the skin of one of the most appalling archetypes of the 20th century: a Nazi soldier as he marauds across eastern Europe during the second world war * Financial Times * A stirring work that reads like a developing photograph, the lines slowly clarifying, the light steadily emerging from the dark . . . an unflinching reckoning with guilt, accountability and shame and a tender portrayal of the weight of memory carried through the generations * TLS * [A] thoughtful, unsettling chronicle . . . a fascinatingly enigmatic addition to the literature of Germany's coming to terms with the past * Publishers Weekly * Starritt's prose is riveting. It unspools like a roll of film-raw, visceral, and propulsive, rich with sensory detail and unsparing in its depictions of cruelty . . . We Germans feels eerily timely . . . Starritt's daring work challenges us to lay bare our histories, to seek answers from the past, and to be open to perspectives starkly different from our own * New York Times * Tackles issues such as collective guilt and Germany's silent suffering after the war with sensitivity and nuance * Herald *

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Alexander Starritt was born half-Scots, half-German in 1985, and grew up in the Scottish north-east. Educated in Edinburgh and at Oxford, he translates fiction, poetry and academia from German, including Stefan Zweig's A Chess Story. He has reviewed for the Times Literary Supplement, The Spectator and the Mail on Sunday, and his short fiction has been shortlisted for the Paris Literary Prize. His first novel, The Beast, was published in 2017 by Head of Zeus.

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