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OverviewFull Product DetailsAuthor: Martin DanahayPublisher: Rutgers University Press Imprint: Rutgers University Press Dimensions: Width: 15.20cm , Height: 1.30cm , Length: 22.90cm Weight: 0.027kg ISBN: 9781978819191ISBN 10: 1978819196 Pages: 154 Publication Date: 18 March 2022 Recommended Age: From 18 to 99 years Audience: College/higher education , College/higher education , Professional and scholarly , Tertiary & Higher Education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction: Two Photographs Framing Death War Culture 1. Sacrificial Bodies: Fenton, Tennyson and the Charge of the Light Brigade Documenting the Crimean War: Fenton’s Photographs Reliving the Charge of the Light Brigade The Charge of the Light Brigade as Sacrifice 2. The Soldier’s Body and Sites of Mourning Memorializing the Dead The Charge of the Light Brigade and Psychological Trauma Diagnosing Trauma 3. War Games Fantasy Wars: Dungeons and Dragons Virtual Warriors and Armchair Generals The Pleasures of Conquest 4. Trauma and the Soldier’s Body The Soldier’s Gendered Body PTSD and Moral Injury The Politics of PTSD 5. Sophie Ristelhueber: Landscape as Body Fait and Drone Vision Landscape and the Soldier’s Body Reinserting the Civilian Body into the Frame Conclusion: Future War without BodiesReviews"""War Without Bodies contributes to an important and ongoing effort to understand—and to challenge— the myriad ways in which a culture of war has been historically normalized as a function of “new” technologies of representation. Martin Danahay illustrates how the illusion of a “war without bodies” complicates our capacity to engage the trauma of war by sanitizing its violence and undermining the very possibility of grieveable bodies, whether soldiers or civilians. -- John Louis Lucaites * co-editor of In/visible War: The Culture of War in Twenty-first-Century America * ""Danahay offers a pacifist's lament, not only for the victims of war, but for their systematic erasure from its representation. War Without Bodies documents the history of this practice, explores its lethal consequences, and urges its readers toward an alternative visuality."" -- Rebecca Adelman * author of Figuring Violence: Affective Investments in Perpetual War * ""You might not think to draw a line from Tennyson to Dungeons and Dragons, but that's the gift of this book. With great erudition, Danahay carefully folds historical epochs and disparate practices into one another, adding layers of richness to the old question of how war has figured the body."" -- Roger Stahl * author of Through the Crosshairs: War, Visual Culture, and the Weaponized Gaze * ""War Without Bodies contributes to an important and ongoing effort to understand—and to challenge— the myriad ways in which a culture of war has been historically normalized as a function of “new” technologies of representation. Martin Danahay illustrates how the illusion of a “war without bodies” complicates our capacity to engage the trauma of war by sanitizing its violence and undermining the very possibility of grieveable bodies, whether soldiers or civilians. -- John Louis Lucaites * co-editor of In/visible War: The Culture of War in Twenty-first-Century America * ""Danahay offers a pacifist's lament, not only for the victims of war, but for their systematic erasure from its representation. War Without Bodies documents the history of this practice, explores its lethal consequences, and urges its readers toward an alternative visuality."" -- Rebecca Adelman * author of Figuring Violence: Affective Investments in Perpetual War * ""You might not think to draw a line from Tennyson to Dungeons and Dragons, but that's the gift of this book. With great erudition, Danahay carefully folds historical epochs and disparate practices into one another, adding layers of richness to the old question of how war has figured the body."" -- Roger Stahl * author of Through the Crosshairs: War, Visual Culture, and the Weaponized Gaze *" Danahay offers a pacifist's lament, not only for the victims of war, but for their systematic erasure from its representation. War Without Bodies documents the history of this practice, explores its lethal consequences, and urges its readers toward an alternative visuality. --Rebecca Adelman author of Figuring Violence: Affective Investments in Perpetual War War Without Bodies contributes to an important and ongoing effort to understand--and to challenge-- the myriad ways in which a culture of war has been historically normalized as a function of new technologies of representation. Martin Danahay illustrates how the illusion of a war without bodies complicates our capacity to engage the trauma of war by sanitizing its violence and undermining the very possibility of grieveable bodies, whether soldiers or civilians.--John Louis Lucaites co-editor of In/visible War: The Culture of War in Twenty-first-Century America """War Without Bodies contributes to an important and ongoing effort to understand—and to challenge— the myriad ways in which a culture of war has been historically normalized as a function of “new” technologies of representation. Martin Danahay illustrates how the illusion of a “war without bodies” complicates our capacity to engage the trauma of war by sanitizing its violence and undermining the very possibility of grieveable bodies, whether soldiers or civilians.— John Louis Lucaites, co-editor of In/visible War: The Culture of War in Twenty-first-Century America ""Danahay offers a pacifist's lament, not only for the victims of war, but for their systematic erasure from its representation. War Without Bodies documents the history of this practice, explores its lethal consequences, and urges its readers toward an alternative visuality.""— Rebecca Adelman, author of Figuring Violence: Affective Investments in Perpetual War ""You might not think to draw a line from Tennyson to Dungeons and Dragons, but that's the gift of this book. With great erudition, Danahay carefully folds historical epochs and disparate practices into one another, adding layers of richness to the old question of how war has figured the body.""— Roger Stahl, author of Through the Crosshairs: War, Visual Culture, and the Weaponized Gaze ""Danahay offers a pacifist's lament, not only for the victims of war, but for their systematic erasure from its representation. War Without Bodies documents the history of this practice, explores its lethal consequences, and urges its readers toward an alternative visuality.""— Rebecca Adelman, author of Figuring Violence: Affective Investments in Perpetual War ""You might not think to draw a line from Tennyson to Dungeons and Dragons, but that's the gift of this book. With great erudition, Danahay carefully folds historical epochs and disparate practices into one another, adding layers of richness to the old question of how war has figured the body.""— Roger Stahl, author of Through the Crosshairs: War, Visual Culture, and the Weaponized Gaze ""War Without Bodies contributes to an important and ongoing effort to understand—and to challenge— the myriad ways in which a culture of war has been historically normalized as a function of “new” technologies of representation. Martin Danahay illustrates how the illusion of a “war without bodies” complicates our capacity to engage the trauma of war by sanitizing its violence and undermining the very possibility of grieveable bodies, whether soldiers or civilians.— John Louis Lucaites, co-editor of In/visible War: The Culture of War in Twenty-first-Century America" Author InformationMARTIN A. DANAHAY is a professor of English at Brock University in Canada. He is the author of Gender at Work in Victorian Culture: Literature, Art and Masculinity and A Community of One: Masculine Autobiography and Autonomy in Nineteenth Century Britain. Tab Content 6Author Website:Countries AvailableAll regions |