Overview

This study focuses on the social, racial, and artistic climate for African-American performers working during the swing era, roughly the late 1920s through the 1940s. The career of Norton and Margot, a ballroom dance team whose work was thwarted by the racial tenets of the era, serves as a tour guide and barometer of the times on this excursion, through the worlds of African-American vaudeville, separate black and white Americas, the European touring circuit, and pre-Civil Rights era racial etiquette.

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9780312294434

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Reviews

.,. a close, intelligent look at a long 'invisibilized' piece of black cultural history. -- Publishers Weekly, . . [a] significant contribution. . . . This work points up the power of the black dancing body to influence American culture. -- Philadelphia Dance Alliance,, . another significant contribution to the fields of dance, cultural and performance studies -- Dance Critics Association Newsletter

Author Information

Brenda Dixon Gottschild, author of Digging the Africanist Presence in American Performance, Waltzing in the Dark, and The Black Dancing Body, is Professor Emerita of Dance Studies at Temple University, USA, and a former senior consultant and writer for Dance Magazine. She lectures nationally and internationally, using her own dancing/thinking body to illustrate her ideas and blur the division between practice and theory. She is the recipient of the 2013 Scholar Award from the International Association of Blacks in Dance.

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