Overview
Walled Gardens: Autonomy, Automation, and Art After the Internet is the study of a young generation of artists characterised by their engagement with new Internet technologies that have come to reorganize life and labour online, from mobile Internet and social media to Cloud Computing. Often grouped around the much-contested term 'post-Internet art', these artists work across a range of genre DS including sculpture, performance, and moving image DS in order to confront the relationship between technology and society in the twenty first century. Focusing on art works produced between 2008 and 2016 in Europe and the US, this book situates the emergence of the field in a historical context of global economic downturn and climate catastrophe, positing that new Internet technologies were developed in a mutually co-constitutive relationship with crisis. Characterised by ease of use, portability, and accessibility, such technologies are the reason why the Internet has become an ever-increasing part of daily life. Yet they are also examples of 'walled gardens': proprietary formats in which one's control over functionality or content is highly restricted. Strikingly, many artists have chosen to work with rather than against these technologies and, in so doing, perform complicity with the very structures that they seek to interrogate. Walled Gardens asks how might we make sense of this assimilation with proprietary technologies, and argues that what these artworks reveal is a model of subjectivity conditioned by a dynamic between autonomy and automation.
Full Product Details
Author: Cadence Kinsey (University College London)
Publisher: Oxford University Press
Imprint: Oxford University Press
Dimensions:
Width: 22.00cm
, Height: 2.50cm
, Length: 26.00cm
Weight: 1.056kg
ISBN: 9780197266823
ISBN 10: 0197266827
Pages: 258
Publication Date: 04 November 2021
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: To order
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Author Information
Cadence Kinsey is a Lecturer in Contemporary Art at University College London, a post held since 2019 following three years at the University of York. Prior to this, Kinsey was British Academy Postdoctoral Fellow at UCL, which supported the research for this book. Her work centres on the histories of art and technology, as well as live art and performance from the 1960s to today. Kinsey has published widely on (and with) emerging artists in relation to the Internet and digital technology in both academic and non-academic contexts, and she is a regular contributor to national and international media.
