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Author:   Catherine Laws ,  William Brooks ,  David Gorton ,  Thanh Thủy Nguyễn
Publisher:   Leuven University Press
Imprint:   Leuven University Press
ISBN:  

9789462702059

ISBN 10:   9462702055
Pages:   280
Publication Date:   15 November 2019
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock  
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Figures Contents of the Online Repository of Supplemental Files Introduction Catherine Laws Chapter 1Austerity Measures I: Performing the Discursive Voice David Gorton and Stefan Östersjö Part 1: Collaboration and the discursive voice Part 2: Analysing the discursive voice in performance Conclusions Chapter 2Being a Player: Agency and Subjectivity in Player PianoCatherine Laws Part 1: Player Piano and Saying “I” Part 2: The Embodied Subject in Player PianoPart 3: Instrument as Agent Part 4: From Instrument to Ecology Postlude: “Alone With My Ten Fingers”? Chapter 3Footnotes William Brooks, Stefan Östersjö, and Jeremy J. Wells Part 1 Part 2 Part 3 Chapter 4Arrival Cities: Hanoi Nguyễn Thanh Thủy and Stefan Östersjö Arrival Cities: Hanoi 1. Introduction 2. Modes of collaboration 3. Documentary, empathy, and inter-subjectivity 4. The making of Arrival Cities: Hanoi 5. The discursive voice in intercultural collaboration Conclusion Catherine Laws References Notes on Contributors Index

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Author Information

Catherine Laws is a pianist, reader in Music at the University of York, and senior artistic research fellow at the Orpheus Institute. William Brooks is professor of music at the University of York, emeritus professor at the University of Illinois, scholar-in-residence at the Newberry Library, and senior research fellow at the Orpheus Institute. David Gorton is a composer, senior postgraduate tutor and associate head of research at the Royal Academy of Music, associate professor at the University of London, and associate researcher at the Orpheus Institute, Ghent. Thanh Thủy Nguyễn is a đàn tranh player, a PhD candidate at Malmo Academy of Music at Lund University, and a đàn tranh teacher at Vietnam National Academy of Music. Stefan Östersjö is a guitarist, chaired professor of Musical Performance in Piteå School of Music at Luleå University of Technology, and associate researcher at the Orpheus Institute, Ghent. Jez Wells is an audio designer and senior lecturer in Sound Recording in the Department of Music at the University of York.

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