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OverviewFirst published in 1986, this title examines a set of English Renaissance texts by Shakespeare, Spenser, Herbert, Marvell and Milton, within the theoretic framework of postmodern thought. Following an opening chapter that argues for the value of this conjunction as a way of understanding literary history, subsequent chapters draw upon Jacques Derrida’s deconstruction of photocentrism and Jacques Lacan’s analysis of the agency of the letter to offer fully theorized readings. Throughout, there is a sustained concern with the transformations of such Ovidian figures as Narcissus and Echo, Perseus and Medusa, Orpheus and Eurydice, and with the echo effects of Virgilian pastoral, as paradigms for the interplay of voice and writing. Full Product DetailsAuthor: Jonathan GoldbergPublisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 13.80cm , Height: 1.10cm , Length: 21.60cm Weight: 0.380kg ISBN: 9781138823624ISBN 10: 1138823627 Pages: 206 Publication Date: 12 March 2016 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsAcknowledgements; 1. Terminals 2. Marvell’s nymph and the echo of voice 3. Consuming texts: Spenser and the poet’s economy 4. Shakespearian characters: the generations of Silvia 5. The dead letter: Herbert’s other voices 6. Milton’s warning voice: considering preventive measures; Notes; IndexReviewsAuthor InformationTab Content 6Author Website:Countries AvailableAll regions |