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OverviewWhile the Haitian musical tradition is probably best known for the Vodou-inspired roots music that helped topple the two-generation Duvalier dictatorship, the nation’s troubled history of civil unrest and its tangled relationship with the United States is more intensely experienced through its art music, which combines French and German elements of classical music with Haiti's indigenous folk music. Vodou Nation examines art music by Haitian and African American composers who were inspired by Haiti’s history as a nation created by slave revolt. Around the time of the United States’s occupation of Haiti in 1915, African American composers began to incorporate Vodou-inspired musical idioms to showcase black artistry and protest white oppression. Together with Haitian musicians, these composers helped create what Michael Largey calls the “Vodou Nation,” an ideal vision of Haiti that championed its African-based culture as a bulwark against America’s imperialism. Highlighting the contributions of many Haitian and African American composers who wrote music that brought rhythms and melodies of the Vodou ceremony to local and international audiences, Vodou Nation sheds light on a black cosmopolitan musical tradition that was deeply rooted in Haitian culture and politics. Full Product DetailsAuthor: Michael LargeyPublisher: The University of Chicago Press Imprint: University of Chicago Press Edition: Enlarged edition Dimensions: Width: 1.60cm , Height: 0.20cm , Length: 2.30cm Weight: 0.510kg ISBN: 9780226468655ISBN 10: 0226468658 Pages: 256 Publication Date: 01 May 2006 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsReviewsVodou Nation investigates the lives and works of the principal Haitian elite composers who sought cosmopolitan respect as well as national acceptance through the production of nationalist art music. It is also the story of those who followed such musical trends and consumed Haitian elite music and culture. Entertaining and tightly organized, this book explores insightfully the role of art music in mediating tensions in postcolonial societies. - Gage Averill, University of Toronto Author InformationMichael Largey is associate professor of music at Michigan State University. He is coauthor of Caribbean Currents: Caribbean Music from Rumba to Reggae. Tab Content 6Author Website:Countries AvailableAll regions |